18th/19th Century Tyrolean Eagle Giltwood Altar Stick

A stunning pair of antique Neo-Gothic bronze church altar stick candle prickets with beautifully aged patina. European, late 19th century, each with a single candle socket, mural crown, pierced quatrefoils, wafer stem, rising on paw feet. Dimensions: (approx) 27.25" Tall, 8.25" Diameter; 28lbs total Condition: Great original unrestored antique condition with nicely aged dark warm patinated finish. Distinctive gilt brass and copper like tones. Wear consistent with age and indicative of use. Overall outstanding examples World Wide Shipping Available Local Pickup/Delivery available around Dallas, Texas We here at Lynx Hollow Antiques absolutely love collecting and decorating with religious objects. From a church altar table...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

A superb antique European hand-carved and painted limewood Santo altar figure. Born in Europe in the late 18th / early 19th century, most likely Naples, Italy, the wooden sculpture...

A scarce 18th century Spanish Colonial hand carved and painted wooden newel post torchère. This completely original 250 year old antique, modeled as a putti (angel - boy- cherub), having traditional inset glass eyes, polychromed, depicted standing, one leg slightly in front of the other, one arm bent supporting post, on circular base. circa 1780s This wonderful architectural salvaged building element would have been positioned on top of the first post at the beginning of a staircase railing...

An impressive Spanish Colonial santos figure church altar stick (candle holder), handcrafted in Mexico, in the 18th century, possibly earlier. Constructed in plaster, with hand carved, gilded wood accents, having wonderful, polychrome paint with beautiful coloring, elegantly aged, faded, distressed having spectacular warm, rustic patina over the whole. The large antique Mexican religious folk art...

A most impressive antique Spanish Colonial hand carved polychromed wood Santo Catholic church altar figure. circa 1800 Hand-crafted in the late 18th / early 19th century, exceptionally executed intricate detailing, the large scale antique religious sculpture depicting the female Saint Teresa of Avila, polychrome painted gesso over finely sculpted wood, inset glass eyes, shown in Carmelite nun habit...

Baroque altar candlestick with a three-legged stand and a balustered shaft with a gold-patinated and dark accentuated setting and a wavy bras...

Magnificent pair of 18th century Italian Baroque giltwood altar candelabra. This stunning huge pair of Italian Baroque gilt wood pricket altar sticks, candlesticks or candleholders will be the focal point of a mantel, console table, credenza or commode. The antique gilt wood candlesticks...

An antique Italian religious symbolism Altar candle holder made of hand crafted bronze, in good condition. The tall detailed crafted church candle holder is supported by a triangle b...

18th century Italian giltwood pricked Altar sticks, set of 4. Difficult to find set of 4 18th century Italian giltwood pricked altar sticks, candleholders or candlesticks from Lucca....

Pair of 18th century Italian giltwood Altar sticks or Prickets from Lucca. Pair of 18th century Italian Baroque gilt wood altar sticks, candlest...

18th century Italian gold leaf altar stick with a Chesapecten plated fossil scallop shell and natural forming Baroque pearls. The Chesapecten plate...