Marble Torchères

Organic and elegant shapes for this candle holder with sinuous lines. "Candle Holder by CARRARA_HOME_DESIGN® can accommodate different formats of candles, to create relaxing moments...

The Fit Candle Three is a minimalist style candle holder made of treated Travertine marble. This candle holder is composed by three marble pieces and three solid brass pieces, all of...

Pair of late 19th century Empire bronze and ormolu candelabra. - Caryatid herm female figures on marble block plinths. - Three ormolu candle arms/cups - Well modeled.

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

This Empire style gilt and burnished bronze candelabra by Gherardo Degli Albizzi, with its marble base, resume the great taste of Napoleon period decoration. Base is characterized by...

This stately patinated and fire gilt bronze candelabrum is of the finest quality, and retains its original finish. The figure of Nike (Winged Victory) standing on a gilt globe holds...

Tall Bronze Torchères. Arts and Crafts era with Art Deco feel. The bronze has aged with a beautiful patina. Square plates sit upon bronze balls. Beautiful shape and sculptural art. I...

Italian brass palm tree candle holder. Brass Palm tree is in brass urn with faux stones as mulch. Good overall condition, ready to use.

A very rare pair of Gilt Bronze Mounted Putto 5-Arm Candelabra by United Wilson. The pair reflects the aesthetics of the Rococo period, characterized by...

Alfred Emmanuel Louis Beurdeley (French, 1847-1919) A very fine pair of French 19th century Louis XVI style ormolu-mounted and white marble three-light candelabra (now electrified), ...

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

Candlesticks, pressed, cast and chased. Circular. 6 Candle Holder in a row. Highly collectable and valuable. Length 66 cm. Height 12.5 cm. In a beautifully excellent condition, wit...