Louis Philippe Mantel Clock by Thomire Et Cie
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Louis Philippe Mantel Clock by Thomire Et Cie
About the Item
- Creator:Pierre-Philippe Thomire (Artist)
- Dimensions:Height: 28 in (71.12 cm)Width: 9.5 in (24.13 cm)Depth: 24.5 in (62.23 cm)
- Style:Louis Philippe (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1850
- Condition:Wear consistent with age and use.
- Seller Location:Pasadena, CA
- Reference Number:1stDibs: LU7847234820802
Pierre-Philippe Thomire
Sculptor Pierre-Philippe Thormire was one of the greatest gilt-bronze casters of the 18th and 19th centuries. His elaborate pieces and decorative objets d’art represented the finest examples of Neoclassical style. He had such patrons as Louis XVI, Napoleon, Charles X and countless members of the European aristocracy.
Born in Paris in 1751, Thomire trained as a sculptor at the Académie de Saint-Luc under master sculptors Augustin Pajou and Jean-Antoine Houdon. However, he decided to follow his father’s more lucrative profession as a bronze caster. Thomire trained in the workshop of famed gilder Pierre Gouthière, under whom he learned the skills of chasing and gilding, particularly “dorure au mat,” which produces a satin-like matte gilding finish.
Thomire was named a maître-fondeur in 1772 and established his own business in 1775. His reputation as a leading gilt metal manufacturer grew, especially among French nobles and the monarchy. The year he opened his workshop, he collaborated on the decoration of the coronation coach for Louis XVI, which was followed by royal commissions throughout the 1780s.
Thomire used his skills during the French Revolution to make arms and ammunition. He also kept creating gilt-bronze objects, such as ormolu mounts for Sèvres porcelain. In a time of upheaval, his business thrived while others foundered and went bankrupt.
In 1804, Thomire acquired the company of decorative arts dealer Martin-Eloi Lignereux. This enabled him to sell furniture, Sévres porcelain and other decorative objects, like candle holders, wall lights and centerpieces. In 1809, he was appointed the engraver for the Emperor and the official furniture supplier to Napoleon.
Shortly after, Thomire entered into a partnership with three businessmen, and the company became Thomire, Duterme et Cie. In 1815, the firm was renamed Thomire et Cie after Duterme left the business.
At 72, Thomire retired, leaving his two sons-in-law, Louis-Auguste-César Carbonelle and André-Antoine Beauvisage, to run the company. He continued to sculpt and exhibit at the Salon art exhibition until 1834.
Thomire’s pieces are in permanent collections in museums throughout Europe, including the Louvre, the Victoria and Albert Museum and the Royal Collection Trust.
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