Large Antique Renaissance Revival Nutwood and Bronze Table or Mantel Clock 1800s

Practical size and beautiful design Arts and Crafts mantel clock. This extremely stylish and practical size Arts and Crafts table clock is yet another one of our recent great find...

Great colors & wonderful design antique clock from the early 1900s. Just from looking at the stunning design, multiple quality materials and amazing details one can see that this remarkable antique clock could only have been hand-crafted by a skilled French maker. Looking at this beautiful antique...

Beautiful and stylish clock, in good working order. If you are looking for an exceptionally designed clock from the Arts & Crafts era then this rare mantel clock could be yours to e...

Fine and meaningful, 19th century, goddess of war theme clock. Throughout the 19th century, French artisans have made some of the most amazing quality and meaningful antiques using the most expensive materials and techniques available. This finest quality made and relatively small mantle clock has all of that and that is why it resonates a timeless style that you don't find anymore in this day and age. On top of this clock you have the beautiful Athena bust...

Cathedral design, sculptural gilt bronze and zinc clock. This sizable, handcrafted, impressive and meaningful clock comes with a variety of Gothic church elements. As a matter of fa...

Rare and stunning majolica glazed antique clock from the European Art Nouveau era. If you like rare Arts & Crafts antiques in general and marvelous clocks in particular then this handcrafted table clock from circa 1900-1910 could be the perfect addition to your collection / interior. When you understand how many difficult and time consuming techniques it took to create this antique work of time telling art, will you really be able to appreciate its beauty, rarity and quality. First of all, it would have taken a designer several days, if not weeks, to hand draw this design and this would take multiple sketches. Secondly, a ceramics specialist created the perfectly shaped and glazed majolica 'clock house'. This requires glazing and heating/'baking' in the keln and there too many things can go wrong. Thirdly, the aesthetically beautiful flower sculptures that you now see in gilt bronze, would first have to be sculpted out of clay or another material. From that initial sculpture a mold would have to be made and that mold would then be filled with extremely hot liquid bronze. The bronze sculpture would then have to be sanded, polished and gilt. Fourthly, in both the glazed ceramic clock house and the bronze flowers...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

A magnificent 19th century French Renaissance Revival patinated bronze mounted carved walnut "Day and Night" mantel clock.  The dial with Roman numerals flanked by allegorical figures of night and day after Michelangelo. France, circa 1870 Maker: Victor Paillard The movement stamped: Vr. Paillard, Paris. Rodier Paris Stamp & Medaille Dor', 1837 Dimensions: Height 22" (56 cm) Width 37" (94 cm) Depth 9" (22 cm) Victor Paillard (1805-1886) designed and made various bronze decorative and functional objects including chenets, lighting and clocks. He also cast bronzes for some of the most important sculptors of the day including Barye, Carrier-Belleuse and Pradier He opened his first workshop in the 1830s at 105, boulevard Beaumarchais and 6, rue Saint-Claude and by the 1850s was employing around 100 people. His success at numerous international exhibitions including the 1851 Great Exhibition (where he displayed a bronze of the Standing Sappho after Pradier) further enhanced his reputation Day and night by Michelangelo: Though never finished, the tomb of Giuliano de' Medici in the Medici Chapel is the only one of Michelangelo great architectural-sculptural projects to be realized in a form approaching completion. Built between 1520 and 1534, it is widely held to be one of Michelangelo's most stunning achievements. The pose of the central figure on the tomb of Giuliano de' Medici, arms resting at his sides and legs comfortably apart, and its open composition suggest a cheerful Duke, generous in both mind and spirit. In fact, the figure holds in his hand several coins, as if an intended gift. Light plays freely on his beautiful face, yet the figure is lacking in energy and seems to wilt under the burden of the Roman armor...

Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...

Antique Renaissance Revival Cast Bronze Figural Clock with Female Mask and Pierced Foliate Casing, C1870 Measures - 18.25"H x 13.75"W x 6.25"D

Egyptian Revival Bronze and Marble Mantel Clock Egyptian revival mantel clock housed in a polishes black slate and marble stepped case, decorated with winged uraeus and hieroglyphs, surmounted by a patinated bronze sphinx wearing nemes and resting on lions paw feet. Enamel dial with Arabic numerals and original ‘blued’ steel hands. Eight day French movement with anchor escapement striking the hours and halves on a silvered bell. The backplate signed Societe Clusienne S.C.A.P.H. Cluses and numbered 4144. C.1870 Societe Clusienne were based in Cluses near to the Swiss border in France. The case attributed to G.Servant Georges Emile Henri Servant ( 1828-1890) succeeded his father at their foundry at Rue Vieille-du-Temple, Paris in 1855. He specialised in the production of Neo-Egyptian style clocks. He was noted for the high quality of his bronzes at both the Paris Universal Exhibition 1855 and the London Exhibition in 1862. Many of his clocks were exported to the United States where his Sphinx clocks...

Decorative early 1800s antique Swedish mora clock in white paint finish detail and a slender body. Measures: 214cm. This original 1800s mora clo...