Antique Vienna Biedermeier 8-Day Regulator/Clock, Carl Suchy & Söhne, circa 1890

Important antique Russian Imperial Faberge silver gilt chalcedony (black onyx) diamond miniature desk clock, by workmaster Feodor Afanassiev (1870-1927), the clock circa 1900. In 1883 Afanasiev moved to St Petersburg and was apprenticed in the Nevsky Prospekt workshop of Finnish master goldsmith Enok Sistonen. In 1888, Afanasiev moved into the workshop of the Court Jeweller Karl Bock...

A Fine & important French bronze statue 8 day clock garniture in the Orientalist style, circa 1880. The 8 day clock with a time and strike mechanism, sounding the hours and half hours on a pleasant mellow sounding bell. The clock is house in a lavish bronze case heightened with silver gilt, to the top is an engraved 'Minaret' shaped finial and below a gallery of silvered and gilt bronze leaves. The white enamel clock dial having black Arabic numerals, the center of the dial with a bas relief of palm trees and figures below the sun and a fort to the background. The front of the clock is shaped like a Mihrab (a niche in a mosque), to the base is another bas relief an East Indian scene with gilded bronze figures holding muskets and spears, with an elephant and tiger...

A fine & very large antique French Art Nouveau figural statue clock, circa 1900. The clock is made of cast bronze and depicts a beautiful young maiden in diaphanous Art Nouveau dress...

A good & large antique 19th century eight day single fusee skeleton clock, under a glass dome, circa 1870. The clock has just been serviced and overhauled by a clocksmith, the brass...

A fine antique French eight day mantle clock, gilded and fitted with Sevres porcelain plaques, circa 1830. An early French silk suspension clock, with an eight day time and strike movement, gently sounding the hours and half hour on a bell. The clock is housed in an extravagant gilded gesso Rococo style case and standing on an integral plinth. The clock with a silvered dial having a cuff of engine turned decoration around the center and black Roman numerals to the outside of the dial and the retailer's name "Carl Muller in Berlin" to the center. The base of the clock is fitted with a round hand-painted floral 'Sevres' porcelain plaque, the clock plinth is fitted with a rectangular 'Sevres' plaque, hand-painted with a pastoral scene with a young courting couple and grazing sheep & goats. The clock has just been professionally overhauled and cleaned, it runs and keeps good time, the gilded case and silvered dial and porcelain plaques are in remarkable condition, a very fine clock...

A very stylish antique Austrian Biedermeier figured Ash corner cabinet, circa 1830. The cabinet with an ebonized crown and a glazed door below with arched panels, the door enclosing three shelves and the interior having the original grey paint. To the middle is a second ebonized band of wood and a single paneled door enclosing a single shelf, the cabinet with a corresponding ebonized band to the base and is raised on stile feet. The cabinet is made from the most striking figured blond ash with highly variegated grain, both doors have inlaid lock escutcheons &3500 keys are present for the locks. Condition is a very good indeed, this very stylish antique Biedermeier corner cabinet...

Antique 1890 German Kienzle Grand Sonnerie Vienna Regulator Wall Clock Here is an excellent 3 weight driven regulator wall clock. This clock is 49-1/2" t...

50" Antique 1890 German Gustav Becker Grand Sonnerie Vienna Regulator Wall Clock Here is an excellent 3 weight driven regulator wall clock. This clock is...

Fine Fruitwood Grand-Sonnerie Striking Vienna Regulator Four pillar, triple train movement of short duration with dead beat escapement incorporating...

19th century Vienna Regulator wall clock. One weight Vienna Regulator with ornate carved head piece.

A rare wedge shaped laterndluhr Vienna regulator with a two train weight driven movement of exceptional quality. The eight day movement strikes the ho...

In the noted horology book "Britten's Old Clocks and Watches", G.H. Baillie defines a Grand Sonnerie movement as follows: "A form of quarter-striking in which the hour last struck is also repeated at each hour." It works like this, striking the quarter-hour on one gong and the hour on a second, slightly lower-toned gong: At 3:15 the clock strikes once on the higher chime to indicate the quarter hour, followed by three strikes on the lower chime to indicate the hour. At 3:30 the clock strikes two times on the higher chime (half-hour), followed by three chimes on the lower gong (hour). This way, if you are within hearing distance of the clock, day or night, you can tell exactly what time it is at each quarter hour A "petite sonnerie...