Louis XV Period Gilt Ormulo clock

Fine single fusee wall clock by Wehrle of Switzerland.

In the noted horology book "Britten's Old Clocks and Watches", G.H. Baillie defines a Grand Sonnerie movement as follows: "A form of quarter-striking in which the hour last struck is also repeated at each hour." It works like this, striking the quarter-hour on one gong and the hour on a second, slightly lower-toned gong: At 3:15 the clock strikes once on the higher chime to indicate the quarter hour, followed by three strikes on the lower chime to indicate the hour. At 3:30 the clock strikes two times on the higher chime (half-hour), followed by three chimes on the lower gong (hour). This way, if you are within hearing distance of the clock, day or night, you can tell exactly what time it is at each quarter hour A "petite sonnerie...

19th Century grandfather clock in oak. with painting scene from Tam O' Shanter with an 8 day clock works striking each hour when desired. In good working order made by the eminent c...

Mahogany Georgian Candle box measurements are approximate

This painting very much of the period of George Jamesone, although with a continental flavour, it is worth considering this artist. He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine worked alongside or at the same period as Jamesone. Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

19th Century antique wood-carved and gilt wall mirror. The glass flanked with carved floral and scroll motif. With tassel pediment scrolls and flower heads.

Rare Louis XV period wall clock "cartel d'applique " , finely cast and chiseled , beautiful mercury gliding , the enameled dial with roman numerals , signed GILLE LAINÉ À PARIS - Gilles Lainé ( Pierre Francois Gille ) , dit "L'AINÉ", master clock...

A beautiful antique French gilt bronze clock by A. D. Mougin. Modelled in architectural form and covered with scrolling acanthus decoration to represent a romantic ruin. To the top ...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker who specializes in maintaining museums in Poland.

Mantel clock 18th century Louis XV by Picard, Henry (French, FL. 1831-1864) Henri Picard was a prestigious 19th century fondeur and doreur, who worked in Par...

The clock is in excellent and perfect working condition. In addition, it has been cleaned and maintained by a professional watchmaker specializing in museum maintenance. The eight-da...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker. The eight-days going movement has a wire sus...