Russian Inkwells
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Place of Origin: Russian
Silver Inkwell For Czar Nicholas
By Grachev Brothers
Located in New Orleans, LA
This exquisite inkwell by the legendary Grachev Brothers was made for Czar Nicholas of Russia. Featuring intricately cut glass in a star pattern, the inkwell rests upon an exquisite ...
Category
Late 19th Century Neoclassical Antique Russian Inkwells
Materials
Silver
A Russian silver inkwell, jeweler: Johann Fredrik Akerblom, St. Petersburg 1836.
Located in Milan, IT
A Russian silver figured inkwell, jeweler: Johann Fredrik Akerblom, taster Mikhail Mikhailovich Karpinshií. Cylindrical inkwell raised on four feet with chiseled and knurled floral e...
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1830s Antique Russian Inkwells
Materials
Silver
Early 1900 Russian Inkwell
Located in Bochum, NRW
Early 1900 Russian inkwell, depicting a boy sleeping his hand in a basket. Cast metal with dark patina, marked to the bottom. Excellent condition accordingly to its age.
Dimensions:...
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1890s Antique Russian Inkwells
Materials
Metal
Early 19th Century Russian Empire Malachite and Ormolu Inkstand Encrier Swans
Located in Worpswede / Bremen, DE
A very fine Russian giltbronze mounted malachite veneered inkstand from the first quarter of the 19th century. Of rectangular form with an acanthus leave decorated border on round fe...
Category
Early 19th Century Empire Antique Russian Inkwells
Materials
Malachite, Bronze
Fine Early 19th Century Empire Russian Inkstand, St. Petersburg, circa 1810
Located in Worpswede / Bremen, DE
A fine Russian Empire gilt- and patinated bronze desk top inkstand, St. Petersburg, circa 1810. Rectangular shaped base raised on four turned fee...
Category
Early 19th Century Empire Antique Russian Inkwells
Materials
Bronze
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Henrik Wigström 1908 Russia Saint Petersburg Enameled Snuff Box in 14kt Gold
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Beautiful neo classic snuff box, created in St, Petersburg Russia, at the workshop of Henrik Wigström, back in the 1908. This piece has been carefully crafted in the Russian imperial and Louis XVI styles, in solid yellow gold of 56 zolotnik (14kt) and embellished with applications of white enamel. Decorated around with garlands and intricates dotted patterns. Fitted with an invisible hinge and close perfectly well.
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Measurements: 41 mm by 39 mm by 14 mm (1.61 x 1.53 x 0.55 Inches).
Hallmarks: Stamped on both parts with Russian marks; the kokoshnik post 1908 mark with the letter a for the city of Saint Petersburg, the maker's mark HW associated to Henrik Wigström inside an oval cartouche, scratched with his inventory numbers 86111 and the 56 zolotnik mark for the assay and warranty of the gold.
Other Hallmarks: Stamped in the outside border, with German importation marks; the German Crown mark, the retailer mark AT inside an oval and the 585 mark for the assay and warranty of the gold.
Henrik Immanuel Wigström born on 1862 and was a Finnish silver & goldsmith. He was one of the most important Fabergé workmasters along with Michael Perchin. Perchin was the head workmaster from 1886 until his death in 1903, when he was succeeded by his chief assistant Henrik Wigström. These two workmasters were responsible for almost all the imperial Easter eggs.
Henrik Wigström was born in Ekenäs, Finland, and was apprenticed to a local Danish born goldsmith named Peter Madsén, a successful manufacturer of silverware who was familiar with the jewellery trade in the city of St. Petersburg, as at one time he had had a workshop there. Once in Madsén's employment, his master's trade with Russia, as well as his numerous business contacts here, brought him to work in St. Petersburg. Goldsmith Werner Elfström employed Wigström as a apprentice on his arrival in the capital in 1875. Wigström became assistant in 1884, at the age of 22, to Perchin, whose shop at that time was already working exclusively for Fabergé.
Wigström became head workmaster at Fabergé after Perchin's death in 1903. The number of craftsmen in Wigström's workshop diminished drastically with the outbreak of World War I. By 1918, the Revolution forced the complete closing of the House of Fabergé. Aged 56, Wigström retreated almost empty-handed to his summer house, on Finnish territory, and died at Terijoki in 1923. His art is similar to Perchin's but tends to be in the Louis XVI, Empire, or neo-classical style. Nearly all the Fabergé hardstone animals...
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