Items Similar to Large Poly Resin Sculpture by Louis Von Koelnau 1989
Want more images or videos?
Request additional images or videos from the seller
Large Poly Resin Sculpture by Louis Von Koelnau 1989
About the Item
Louis Von Koelnau ( American 1924-2015 )
Large Poly resin Red Abstract sculpture, 1989 incised signature, date
and numbered 13/48 along the underside.
Great condition.
- Creator:Louis Von Koelnau (Artist)
- Dimensions:Height: 16 in (40.64 cm)Width: 15.5 in (39.37 cm)Depth: 15.5 in (39.37 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1989
- Condition:Wear consistent with age and use.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU791237735142
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2001
1stDibs seller since 2004
326 sales on 1stDibs
Typical response time: 1 hour
Associations
20th Century Specialists
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Louis Von Koelnau Poly - Resin Sculpture, Signed and dated 1980. 10 / 24By Louis Von KoelnauLocated in New York, NYLouis Von Koelnau (American, 1924-2015 ). A limited edition acrylic sculpture. 1980's Abstract sculpture in a soft pink tone with a series of large dimple impressions that evoke the ...Category
Vintage 1980s American Mid-Century Modern Abstract Sculptures
MaterialsResin
- Spectacular Giant 1980's Poly - Resin Sculpture.Located in New York, NYSpectacular Giant Modernist Poly Resin sculpture in beautiful shades of Mauve / Lavender.Category
Vintage 1980s Modern Abstract Sculptures
MaterialsEpoxy Resin
- Extra Large Glass Sculpture by Peter BramhallBy Peter BramhallLocated in New York, NYExtra large handblown glass sculpture by Peter Bramhall. Rare color combination in tones of amber and brown with internal glass threads, Signed and dated on the bottom.Category
Vintage 1980s American Modern Abstract Sculptures
MaterialsGlass
- Extra Large Peter Bramhall Glass Orb Sculpture, Signed.By Peter BramhallLocated in New York, NYWonderful Extra large glass orb sculpture by Peter Bramhall. The blown glass has internal glass threads of Magenta, Clear and Black and is signed and ...Category
1990s American Modern Abstract Sculptures
MaterialsBlown Glass
- 1980's Murano Glass Sculpture by Vetro ArtisticoBy Vetro Artistico 1Located in New York, NY1980's Decorative Murano glass sculpture. Signed Vetro Artistico.Category
Vintage 1980s Italian Modern Abstract Sculptures
MaterialsMurano Glass
- Peter Bramhall Sculpture, Signed and DatedBy Peter BramhallLocated in New York, NYPeter Bramhall glass Orb sculpture signed and dated. The clear glass orb has internal glass threads in aqua and blue tones.Category
Vintage 1980s American Mid-Century Modern Abstract Sculptures
MaterialsBlown Glass
You May Also Like
- Louis Von Koelnau Abstract Resin SculptureBy Louis Von KoelnauLocated in San Diego, CAMulticolor resin sculpture by Louis Von Koelnau. Signed and dated, 1980 Louis Von Koelnau studied at the Minneapolis College of Art and Design and the Royal Academy of Art in Stoc...Category
Vintage 1980s American Modern Abstract Sculptures
MaterialsResin
- Ceramic Sculptures by Marianna von AlleschBy Marianna von AlleschLocated in Sagaponack, NYA superb handcrafted naturalistic grouping of fruits and vegetables in painted ceramic, glass and rattan-wrapped metal. Created by Marianna von Allesch, ci...Category
Vintage 1950s American Mid-Century Modern Abstract Sculptures
MaterialsWire
- Porcelain Sculpture by Wayne Fischer, 1989By Wayne FischerLocated in Saint-Ouen, FRA porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 1989. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...Category
21st Century and Contemporary French Beaux Arts Abstract Sculptures
MaterialsCeramic
- A porcelain sculpture by Wayne Fischer, 1989By Wayne FischerLocated in Saint-Ouen, FRA porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 1989. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable ...Category
21st Century and Contemporary French Beaux Arts Abstract Sculptures
MaterialsCeramic
- Marble Sculpture by Tom von KaenelBy Tom von KaenelLocated in Geneve, CHMarble sculpture by Tom von Kaenel 2018 Dimensions: H 42 cm Materials: Naxian marble All the artworks of Tom von Kaenel are un...Category
2010s Greek Modern Abstract Sculptures
MaterialsMarble
- Marble Sculpture by Tom Von KaenelBy Tom von KaenelLocated in Geneve, CHMarble sculpture by Tom von Kaenel. Dimensions: W 17 x H 48 cm. Materials: naxian marble. All the artworks of Tom von Kaenel ar...Category
2010s Greek Modern Abstract Sculptures
MaterialsMarble
Recently Viewed
View AllMore Ways To Browse
Green Mexican Pineapples
Cushing Cut
Waterford Laurent Crystal
Waterford Laurent
The Federalist 1802
The Passenger Antonioni
The Webster Llc
Theodore Alexander Rectangular Coffee Table
Tortoise Shell Wall Hanging
Twa Kansas City
Vecta Zermatt Chair
Vintage Copper Wrapped Mirror
Vintage Round Oval Walnut Dining Table
Walrus Shoulder Mount
Wedgwood Juliet
Weltron 2002
Roos Van De Velde