Untitled

HARRY MORGAN Untitled, 2022 Concrete and glass 15.75 x 8 x 8 in

Mami Kato Umbilical Field, 2011 Rice stalks, cotton, wood, insulation foam, epoxy resin 21 x 54 x 51 in

Mami Kato Big Knot, 2019 Rice stalks, cotton, linen, insulation foam, epoxy resin, wood 89 x 32 x 50 in

Trish DeMasi Veil, 2019 Glazed Ceramic 18 x 13 x 13 in

Trish DeMasi Haeckel, 2019 Glazed ceramic 19 x 14 x 14 in

Mark Peiser Cattails paperweight, 1979 Blown glass and torch-worked imagery Measures: 4.75 x 4.875 x 4.875 inches.

The Brendan Bass Estate Collection is an homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they...

Francisco Trêpa was born in Lisbon in 1995, where he lives and works. Trêpa was awarded with, among other prizes and recognitions, MUSEU BORDALO PINHEIRO residency funding.

Francisco Trêpa was born in Lisbon in 1995, where he lives and works. Trêpa was awarded with, among other prizes and recognitions, MUSEU BORDALO PINHEIRO residency funding.

Curtis Fontaine’s abstract ceramic sculptures are created through a unique process of hand building that relies as much on intuition as structural aptitude. Years apprenticing under ...

An untitled sculpture by Joann Patterson.

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 29.25 x 16.25 x 10.5 inches 74.3 x 41.3 x 26.7 cm Brooklyn-based Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisatory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...