19th Century Pair of Animalier Sculptures

19th century pair of bronze figural sculptures in the manner of Franz Xavier Messerschmidt (1736 – 1793), two character heads depictin...

19th Century sculpture of Guan Yu (??), a guardian deity. Guan Yu (d. A.D. 219), a warrior of the late Han dynasty (206 B.C.–A.D. 220) renowned for his valo...

Late 19th Century Bronze Sculpture of a Bull by the French sculptor, Isidore Jules Bonheur. Set on a naturalistic base and raised on a black marble plinth. Signed 'I. Bonheur' and fe...

19th century figural bronze sculpture of William Shakespeare. William Shakespeare (1564-1616). Shakespeare was an English poe...

19th century patinated bronze sculpture of a dancing female figure, possibly a sea nymph. The figure stands on a base of seashells and repouses twirling a drape around her body. It b...

19th Century Pair Ceramic Busts depicting the Greek figures Aphrodite and Homer, both giving the illusion of aged stone. The bust of Homer is based on a much-restored Roman copy of ...

A very rare late 19th Century French Animalier bronze study of a standing ostrich, the detailed feathering chased with extremely fine precision, the flightless giant bird...

Excellent late 19th century animalier bronze study of a feeding reindeer with rich brown colour and very fine hand chased and etched surface detail, raised on a stepped naturalistic base, stamped with Peyrol Foundry mark and signed Isidore Bonheur Additional information Height: 16 cm Width: 22 cm Condition: Excellent Original Condition Foundry: Peyrol circa: 1880 Materials: Bronze SKU: 8211 DESCRIPTION Isidore Bonheur Isidore Bonheur, born in Bordeaux May 15 1827. Isidore was the third child of Christine Dorotheé Sophie Marquis (1797–1833), a musician, and Oscar-Raymond Bonheur (1796–1849) (a landscape and portrait painter and an early adherent of Saint-Simonianism, a Christian-socialist sect that promoted the education of women alongside men). Isidore was the brother of Auguste Bonheur...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

A charming early 20th Century bronze group study of two rabbits in their natural enviroment, one enjoying a scratch as it sits at the top of a mound whilst the other rabbit sits in a more hidden area at the base on the mound. The bronze with excellent rich brown patina and very fine hand chased surafce detail, raised on a stepped base and signed Chemin ADDITIONAL INFORMATION Height: 8.5 cm Width: 10 cm Depth: 6 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze SKU: 9010 ABOUT Victor Joseph Chemin (French, 1825 ~ 1901) Chemin was an animal sculptor. He was a pupil Antoine Louis Barye, Chemin made his salon début in Paris in 1857. He produced models of dogs, foxes and...

A wonderful late 19th Century Animalier bronze group of a hare resting on its hind legs with its ears raised in an alert position with excellent rich olive green and golden patina and fine hand chased surface detail, signed Dubucand, stamped with the EV Foundry stamp and Numbered 875 ADDITIONAL INFORMATION Height: 10 cm Condition: Excellent Original Condition Circa: 1880 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne SKU: 9017 ABOUT Dubucand Hare Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk sculptures...

A fabulous late 19th Century bronze study of a resting rabbit with excellent hand chased surface detail and very fine rich brown patina rubbed in areas to a golden hue, signed  ADD...