Child's Wicker Pony Saddle

Crafted in the early 20th century, this petite Guatemalan children's chair charms with its playful asymmetry and richly textured surface. Influenced by Spanish Colonial furniture design, the angular chair has a slatted back and tapered seat resting on square legs. We love this diminutive chair...

Crafted in the early 20th century, this petite Guatemalan children's chair charms with its playful asymmetry and richly textured surface. Influenced by Spanish Colonial furniture design, the chair has a slatted back and square seat resting on two short, hand-turned legs. The low seat is the perfect height for a youngster, but we love this petite chair as a low side table or tabletop display Stand...

Delightful curiosity of a child's English wooden shoe mold size 8, mounted as a paperweight Wonderful aged scarring, a rich patina and form from a bygone era Circa mid 1900's Height ...

Hand embroidered silk Miao Minority tribe child's headdress with beads and tassels from the early 20th century on a custom black painted metal mount.  

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

Dating from the early 1900's, a fascinating child's clog mold from a Lancashire Mill in England Tactile English oak form bearing scars of a clogger's ancient use Circa Early 1900's H...