Late 19th Century French Arab Water Carrier by Didier Debut

A delightful mid 19th Century French bronze figure of a tortoise with excellent hand chased surface deail and very fine fine rich brown patina rubbed to a golden hue in areas, raised...

Delightful late19th century French Animaliers bronze study of a turning whippet looking around in an attitude to play, with rich brown colour and fine hand chased surface detail. Sig...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

A fabulous late 19th Century bronze study of a resting rabbit with excellent hand chased surface detail and very fine rich brown patina rubbed in areas to a golden hue, signed  ADD...

A wonderful late 19th Century Animalier bronze group of a hare resting on its hind legs with its ears raised in an alert position with excellent rich olive green and golden patina and fine hand chased surface detail, signed Dubucand, stamped with the EV Foundry stamp and Numbered 875 ADDITIONAL INFORMATION Height: 10 cm Condition: Excellent Original Condition Circa: 1880 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne SKU: 9017 ABOUT Dubucand Hare Alfred Dubucand (25 November 1828 – 1894) Dubucand was born in Paris and was a French animalier sculptor of the 19th century. His works were often entered into the annual Salon art exhibition in Paris where he contributed works over the course of his career. He was one of the prize pupils of Antoine-Louis Barye. Dubucand made his debut at the 1867 Salon with a wax model of a dead pheasant, a rather inauspicious start when considering the higher quality sculptures he would submit later in his career. He modelled mainly animal groups, producing a number of deer, dog, and horse sculptures. His better casts feature a warm, mid-brown patination, sometimes coming in even lighter shades bordering on a very light yellow, being nearly the colour of the bronze metal itself. He frequently experimented with chemical patinas, learning the patination process from his teacher and mentor Barye who stretched the boundary with his now famous dark green patinas. Dubucand paid strict attention to the anatomical detail of his subjects, often being so concise that he actually showed the veins in the legs of his deer and elk sculptures...

A good quality 19th century bronze statue of an Arab water carrier, having a good patina, signed; Debut and a plaque reading; Porteur D eau Tunisien Par Debut 1erPrix de Rome Mar...

A finely cast French Orientalist sculpture after Jean-Didier Debut of a Tunisian Water Carrier cast by the Pinedo Bronzier foundry of Paris. Entitled:...

JEAN-DIDIER DEBUT French, 1824-1893 French Orientalist Model of a Janissaire Warrior Polychromed and patinated bronze signed "E. Debut", sealed with editeur cachet "Bronze Garanti...

MARCEL DEBUT French, 1865-1933 "Porteur d'eau arabe" (The Tunisian Water Carrier) Medium-brown and reddish patinated bronze, burnished bronze pots, cas...

Large, bronze amphora vase with green, brown, and yellow patination. The front of the paunch is decorated with a naiad, lying on waves and surrounded by aquatic plants. On the other ...

This large bronze figure was sculpted by the French artist Marcel Debut and cast by the Oudin foundry in Marseille (‘Debut’ and ‘Oudin’ are signed to the base). The figure represe...