Pair of Qing Dynasty Hand-Carved Wooden Temple Corbels with Deer Motifs

A Chinese Qing Dynasty period hand-carved wooden temple corbel from the 19th century with detailed figures and custom base. Created in China during the ...

A pair of Chinese Qing Dynasty period hand-carved temple corbels from the 19th century, mounted on black bases. Created in China during the Qing Dynasty...

A pair of Chinese Qing Dynasty hand carved temple corbels from the early 19th century, depicting warriors. Created in China during the Qing Dynasty, thi...

A Chinese Qing Dynasty period stone temple pedestal from the 19th century with hand-carved motifs. Created in China during the Qing Dynasty, this temple pedestal features a linear si...

An antique Chinese hand carved wooden temple corbel from the 19th century, with characters, pagodas, vegetation and red polychromy. This Chinese archite...

A Chinese Shanxi carved wooden corbel from the mid 19th century, mounted on a base and depicting two deities. Born in the Northern Province of Shanxi during the 1840s, this exquisite wooden corbel demonstrates the undeniable skill Chinese artists possessed at the time. Presenting two deities (possibly Zhong...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...

A sublime Chinese carved boxwood figure of the Bodhisattva of Compassion, Avalokiteshvara, called Guanyin in Chinese, mid-Qing dynasty. The an...

A sweet and lovely Chinese bamboo carving of the sage Dongfang Shuo, mid-Qing dynasty, 18th century, China. Well carved form a single section o...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

The queen mother of the west is cast in a seated position with her hands held before her chest holding a "gui". She is dressed in long-sleeved robes. Her face is framed by an elabora...