Western Bronze Titled "Deep Catch" by Herb Mignery

An wonderful patinated bronze female nude sculpture titled Joy, by Norwegian American Artist Kristen Kokkin. The impressive bronze on a dark marble base conveys a sense of joy and me...

Tis is a one of a kind tall, slender sculpture in patinated bronze by Lawrence Welker IV. It rotates on the base to allow it to be viewed from all sides. 51 Inches Tall, Signed nea...

A unique Organic free form sculpture titled "Organic Remnant" by Lawrence Welker IV. The bronze which is signed at the base which stands on a round marble bottom. Lawrence Welker I...

Hart's stunning vision of a graceful and heroic female figure whose eyes are closed in rapt adoration and whose hair cascades behind her in windswept abandon. Inspired by his apprec...

A set of eight cold painted bronze by Donald L. Reed. The series consists of an asparagus bunch, long red pepper, round red pepper, Snow peas and a dried red peppers. A similar and less impressive set sold for 3500 plus buyers premium at a recent sale at auction in Hudson New York. belonging to a prominent NYC Socialite The 8 sizes of bronze vegetables...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

A large cast bronze Owl by Francois Pompon, titled "Grand Duc" designed in 1928 and cast between 1934-1939. The patinated bronze is marked with a Fonde...

We are fortunate to have the opportunity to represent a new and emerging talent, Ivan Palmer. He has worked with some of the art world's great luminaries a...

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

A lost-wax bronze sculpture by Théodore Rivière, titled 'Carthage' French, Late 19th Century Height 41cm, width 23cm, depth 18cm This superb lost...

Robert Graham (1938-2008) "Kim" 1984 signed: R. Graham A large patinated bronze figure of a standing nude lady on a rotating pedestal. Measures: Height 77" Width 14" Depth 14" Ex...

Francesco Marcangeli Contemporary sculpture titled "Giustizia" is made in 1980's in Rome, Italy. The bronze sculpture is setting on a limestone ba...