Bust of a Woman Wearing a Diadem

Workshop of Sir Francis Chantrey (1781-1841) A bust of Sir Walter Scott (1771-1832) Statuary marble Measures: 30in. (76cm) high.

A fine statuary marble bust of Faustina the younger, Rome, second half of the 18th century. Measures: 24in. (61cm) high; 15in. (38cm) wide; 10.5in. (27cm) deep.

A rare bronze bust of Charles I attributed to John Cheere (1709-1787). Original patination and socle.

A MASSIVE STATUARY AND POLYCHROME MARBLE BUST OF AN EMPEROR, PROBABLY ROME, LATE 17TH / EARLY 18TH CENTURY. Incorporating Verde Antico, Nero Belgio and Marmo Africano from ancient s...

A fine regency bronzed plaster figure of a vestal bearing a lamp by Thomas hopper, circa 1807. Signed H. HOPPER LONDON JULY 6 1807. With its origin...

A fine pair of George III statuary marble busts of a boy and a girl by John de Vaere (1755 – 1830), 1798. Signed J DE-VAERE Sculpr. 1798. Considering what a sensitive and accomplished sculptor he was, surprisingly little is known about John de Vaere. Born in France in 1755, he settled in England some time before 1786 when he enrolled as a student at the Royal Academy Schools. In 1787 he left to study in Rome, with the financial assistance of Josiah Wedgwood. In Rome he won a Silver Medal for Sculpture from the Pope and became an assistant to John Flaxman. On his return to England in 1790, he worked as a modeler for Wedgwood until the latter’s death in 1795, after which he worked with Eleanor Coade, probably replacing John Bacon...

Anthropomorphic Terracotta Dog wearing a Plague Dr Mask by Laurence Lenglare Measures 17" x 14" x 26.5" H Weighs: 32 lbs Due to the fragile nature of this piece we only offer whit...

1960s decorative bust of a woman. Sculpture of resin and cement.

Grand tour bronze bust of a woman. Beautifully cast and perfectly patinated. Dates around 1900.

Roman miniature bust of a noble woman, carved marble, Severan Dynasty, c. 225 A.D. Rare and particularly elegant ‘wig portrait’ of a noble woman, belonging to the early 3rd Century - a style distinctive of Severan Dynasty female portrait busts, in which part of the head has been chiselled away to allow for the addition of a separate hairpiece, in many cases from a darker material, in order to create an almost painterly effect, in the interplay of different coloured stones. The degree of naturalism and emotional depth achieved in a piece of such a small scale implies a sculptor of great talent. The subtle parting of the lips, in combination with her upturned, vacant gaze and tired eyes, conveys a pensive mood, and even a quiet melancholy. A woman strolls the town in thick wigs bought with gold, Then buys new hair to complement the old. And having bought, she doesn’t blush! Right there she buys, Before Alcides’ and the Muses’ eyes. (Ovid, Ars Amatoria, III, 161-168) The fashion of wig-wearing in this period, as well as its emulation in the wig portrait bust, is widely attributed to Julia Domna...

White Marble Bust of Young Women 15" W x 17.5" D x 21" H Bust is extremely heavy; weighs at least 100lbs

Step into the elegance of the Roaring Twenties with this 1920s French Marble Bust of a Woman, a piece reminiscent of the renowned work "Vichy, Sourc...