Large Othello and Desdemona Bronze Busts on Red Marble Bases

Hand carved bust of Shakespeare's Desdemona, Othello's wife, in black Belgian marble and brown limestone.

French bronze cherub bust figure with marble base.

1990s bust of a Roman, hand carved by craftsmen using Carrara white marble for the head and Alicante red on the toga, where the white veins give movement and realism to the cloth. Si...

1990s Bust of a woman, hand carved by craftsmen using Carrara white marble for the head and Alicante red for the toga and hut, where the white veins give movement and realism to the ...

1990s bust of a woman, hand carved by craftsmen using Carrara white marble for the head and Alicante red for the cloth, where the white veins give movement a...

1990s bust of a Roman, hand carved by craftsmen using Carrara white marble for the head and Alicante red for the toga, where the white veins give movement and realism to the cloth. S...

Of mid brown patina with gilt highlights, the figures each signed 'A. Garella' and dated '1887', and with the foundry inscription 'Flli Galli / Firenze', Desdemona also inscribed 'Pr...

A good pair of patinated bronze busts of two children, set on black marble bases.

Pair of 19th century antique silver on bronze busts on marble bases.

A substantial bronze bust on marble base, circa early-20th century, Europe. Bronze bust has a verdigris finish attached to a cylindrical Carrara marble column plinth base. A great de...

This strikingly naturalistic bronze sculpture was created in Florence in 1895. The bust depicts an elderly man, most likely a farm worker, carrying a heavy sack of grain over his shoulder. He wears an old slightly ragged shirt which is open at his chest, revealing his thin body underneath. The man looks out into the distance on the left, his eyebrows slightly furrowed. His mouth is open as though he is breathing heavily with the strain of the work or calling out to someone unknown to the viewer. The sculptor has accurately rendered every detail, with great truth to reality. The faint stubble on the man's chin and the wrinkles on his face and hands are faithfully portrayed. In its naturalistic style and its everyday, unidealised subject-matter, this bronze may be described as a work of Realism. The Realist movement flourished in the arts in Europe in this period, the 19th Century. The bust is signed ‘G Rossi...

Decorate an office shelf with this elegant pair of antique busts. Crafted in France circa 1950, both subject stand on a circular marble base and depict a Royalty couple in traditiona...