19th Century Bronze Bacchus Influenced Clodion Group

An amusing classical 19th century bronze study of Bacchus influenced lovers dancing with a child at their feet, mounted on a Green marble base. Signed; Clodion.

A very impressive and good quality 19th century bronze study in the style of Carrier-Belleuse depicting a pair of classical Bacchus influenced dancing maidens...

A very pleasing 19th century French Bacchus influenced bronze group, depicting two putti playing with a ram, garlands of vine leaves and grapes. Signed.

A classical 19th century bronze group of two young putti playing on the ground amongst grape vines.

A fine & large 19th century bronze study of Bacchus resting on a bountiful barrel of grapes holding a lute with grape & vine in his hair, an unkempt beard with crossed leg and an outstretched finger. This splendid bronze has a wonderfully rich patina and is signed F Duret (1804 – 1865) Francisque Joseph Duret...

A silvered-bronze classical figural group of two maidens and a putto entitled 'The Reading' after Albert-Ernest Carrier-Belleuse, 19th century. Carrier-Belleuse was born on 12 June ...

Bronze puttis signed by Clodion, circa 1900 Beautiful patina and quality excellent condition.

In the first plaquette the putti drink wine, eat grapes, make music and wrestle in a field with a round temple in the background. Signed CLODION In the second plaquette, young sat...

Very fine and large bronze of a reclining lion. Many details, such as the treatment of the lion’s mane demonstrate the sculptor’s mastery skill, as well as an understanding of the an...

This exquisite Rococo style sculpture depicts a moment of revelry, showing a woman with two infants. She is shown holding one of them on her lap, and with another below. The naturali...

19th century French patinated bronze sculpture of a faun, child satyr after Clodion This beautiful sculpture of outstanding quality in Rococo style is a finely cast bronze pan...

A wonderful pair of late 19th century two tone bronze nine-light candelabra. After Clodion. Each cast as a female and a male figure from a bacchanale upholding eight scroll branches with a central branch in the fotm of a quiver, on a bronze-mounted circular base of granite. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...