20th Century Classical Roman Marble Sculpture of Emperor Commodus as Hercules

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20th Century Classical Roman Marble Sculpture of Emperor Commodus as Hercules

About the Item

Here, the Roman Emperor has taken on the guise of the mythological hero, Hercules. He has been given the attributes of the hero: the lion skin placed over his head, the club placed in his right hand, and the golden apples of Hesperides in his left. Each of these objects has been placed as a reminder of the hero's accomplishments, as well as also allowing the Emperor to associate and refer to himself as the Roman Hercules. There is speculation of the Emperor's intent by creating depictions of himself as a godlike figure. While some sources say it was Commodus's desire not to be the protege of Hercules, but to be a god, the incarnation, the epiphany of Hercules and others claim instead that he simply desired to be the centre of attention and show his intense appreciation for games and spectacles. Commodus was Roman emperor with his father Marcus Aurelius from 177 to his father's death in 180, and solely until 192. During his father's reign, he accompanied Marcus Aurelius during the Marcomannic Wars in 172 and on a tour of the Eastern provinces in 176. He was made the youngest consul in Roman history in 177 and later that year elevated to co-emperor with his father. His accession was the first time a son had succeeded his biological father since Titus succeeded Vespasian in 79. He was also the first emperor to have both a father and grandfather (who had adopted his father) as the two preceding emperors. Commodus was the first (and until 337, the only) emperor "born in the purple", i.e. during his father's reign. During his solo reign, the Empire enjoyed a period of reduced military conflict compared with the reign of Marcus Aurelius, but intrigues and conspiracies abounded, leading Commodus to an increasingly dictatorial style of leadership that culminated in a God-like personality cult. His assassination in 192 marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors. In opposition to the Senate, in his pronouncements and iconography, Commodus had always laid stress on his unique status as a source of god-like power, liberality and physical prowess. Innumerable statues around the empire were set up portraying him in the guise of Hercules, reinforcing the image of him as a demigod, a physical giant, a protector and a battler against beasts and men (see "Commodus and Hercules" and "Commodus the Gladiator" below). Moreover, as Hercules, he could claim to be the son of Jupiter, the representative of the supreme god of the Roman pantheon. These tendencies now increased to megalomaniacal proportions. Far from celebrating his descent from Marcus Aurelius, the actual source of his power, he stressed his own personal uniqueness as the bringer of a new order, seeking to re-cast the empire in his own image. During 191, the city of Rome was extensively damaged by a fire that raged for several days, during which many public buildings including the Temple of Pax, the Temple of Vesta and parts of the imperial palace were destroyed. Perhaps seeing this as an opportunity, early in 192 Commodus, declaring himself the new Romulus, ritually re-founded Rome, renaming the city Colonia Lucia Annia Commodiana. All the months of the year were renamed to correspond exactly with his (now twelve) names: Lucius, Aelius, Aurelius, Commodus, Augustus, Herculeus, Romanus, Exsuperatorius, Amazonius, Invictus, Felix, Pius. The legions were renamed Commodianae, the fleet which imported grain from Africa was termed Alexandria Commodiana Togata, the Senate was entitled the Commodian Fortunate Senate, his palace and the Roman people themselves were all given the name Commodianus, and the day on which these reforms were decreed was to be called Dies Commodianus. Thus he presented himself as the fountainhead of the Empire and Roman life and religion. He also had the head of the Colossus of Nero adjacent to the Colosseum replaced with his own portrait, gave it a club and placed a bronze lion at its feet to make it look like Hercules Romanus, and added an inscription boasting of being "the only left-handed fighter to conquer twelve times one thousand men".

Dimensions:
Height: 21.26 in (54 cm)Width: 8.67 in (22 cm)Depth: 5.91 in (15 cm)
Style:
Classical Roman (In the Style Of)
Materials and Techniques:
Onyx,Statuary Marble,Hand-Carved
Place of Origin:
Italy
Period:
20th Century
Date of Manufacture:
After 1900
Condition:
Seller Location:
Roma, IT
Reference Number:
1stDibs: LU2433310367331