After Jules Dalou, Mower with a Sickle, Patinated Bronze Sculpture, circa 1895

View Similar Items

Aime Jules Dalou bronze sculpture

Patinated Bronze Bust of a Young Man by Aimé Jules Dalou

French Bronze Sculpture Bust of a Man by Aimé-Jules Dalou

Rare 1870s French Bronze Sculpture "Sleeping Woman" by Aimé-Jules Dalou

Patinated Cast Bronze Sculpture Of A Greyhound After Jules-Edmond Masson

Patriotic Eagle Bronze Sculpture After Jules Moigniez

Late 19th Century Bronze Entitled 'La Verité Meconnue' by Aime-Jules Dalou

Pair of Patinated Bronze Sculptures After Giambologna

Pair of Magnificent Patinated Bronze Sculptures After Clodian

Patinated Bronze Sculpture

Two Orientalist Gilt and Patinated Bronze Sculptures after Bergman

Bronze Sculpture Gustav Gurschner circa 1904 Patinated Austrian Jugendstil

Want more images or videos?

Request additional images or videos from the seller

1 of 8

After Jules Dalou, Mower with a Sickle, Patinated Bronze Sculpture, circa 1895

About the Item

Bronze with blackish-brown patina, inscribed along base: 'Sous Freres Editeurs Paris', and bears foundry mark: ‘Dalou Cire Perdue’. Dimensions: Height (total): 5-1/4 inches Width (total): 5-1/4 inches Height (base only): 1-1/4 inches Width (base): 4-1/8 inches Depth (base): 3-5/8 inches Aimé-Jules Dalou (1838 - 1902) was a French sculptor, recognized as one of the most brilliant virtuosos of nineteenth-century France, admired for his perceptiveness, execution, and unpretentious realism. Born in Paris to a working-class family of Huguenot background, he was raised in an atmosphere of secularity and Republican socialism. He was the pupil of Jean-Baptiste Carpeaux, who sponsored him for the Petite École (future École nationale supérieure des arts décoratifs), where he sympathized with Alphonse Legros and Fantin-Latour In 1854 he attended the École des Beaux-Arts de Paris in the François-Joseph Duret classroom. He combined the vivacity and richness of Carpeaux, for "he was, technically, one of the most distinguished modellers of his time", with the academic insistence on harmonious outlines and scholarly familiarity with the work of Giambologna, Pierre Puget, Peter Paul Rubens and others Dalou first exhibited at the Paris Salon in 1861, but he made no secret of his working-class sympathies. His politics obstructed his career under the Second Empire: he was repeatedly refused the Prix de Rome that opened sculptors' careers to future official commissions. He started to work for decorators, and through this work met Auguste Rodin and began their friendship. He made a quiet living providing decorative sculpture for the structures that lined Paris's new boulevards and providing wax models for jewelry. He married Irma Vuillier, a partnership that sustained him throughout his life; they had one daughter, Georgette, who was mentally handicapped and required constant care. Dalou's Daphnis and Chloe shown at the Paris salon of 1869, was purchased by the State. Having identified himself too publicly with the Paris Commune of 1871, as curator at the Musée du Louvre under Gustave Courbet, he took refuge in England in July 1871, staying at first with his friend the painter and engraver Alphonse Legros. He rapidly made a name through his appointment teaching at the South London Technical Art School and the South Kensington School of Art, also in London. He was convicted in absentia by the French government of participation in the Commune, and given a life sentence. In his eight-year English exile, Dalou's association with City and Guilds of London Art School, the National Art Training School and the artists of the New Sculpture movement laid the foundation for new developments in the post-classical British school of sculpture.[3] He also recommended his friend and colleague Édouard Lantéri to move from France to England. At the same time Dalou executed a remarkable series of terracotta statuettes and groups, such as A French Peasant Woman and The Reader; a series of Boulogne women, such as A Woman of Boulogne telling her Beads; and a series of informal terracotta portrait busts of friends and acquaintances, rarely signed. He was commissioned to produce the large public fountain called Charity, erected at the back of the Royal Exchange (1878), and for Queen Victoria a monument to two young granddaughters in her private chapel at Windsor (1878). He returned to France in 1879, after the declaration of amnesty, and produced a number of masterpieces. His great relief of Mirabeau replying to Dreux-Brézé illustrating an encounter of 23 June 1789, which was exhibited in 1883 and later at the Palais Bourbon, and the highly decorative panel Fraternity were followed in 1885 by The Triumph of Silenus. For the city of Paris he executed his most elaborate and splendid achievement, the vast monument, The Triumph of the Republic (pictured left), erected, after twenty years work, in the Place de la Nation, showing a symbolical figure of the Republic, aloft on her car, drawn by lions led by Liberty, attended by Labour and Justice, and followed by Abundance. It is somewhat in the taste of the Louis XIV period, ornate, but with a forward thrust to the ensemble and exquisite in every detail. Within a few days, his great Monument to Alphand (1899), which almost equalled the success achieved by the Monument to Delacroix in the Luxembourg Garden, was inaugurated. The last of his works, cast posthumously, were a statue of Lazare Hoche in Quiberon (1902), the Monument to Gambetta in Bordeaux (1904), the Monument to Émile Levassor (1907) and the Monument to Scheurer-Kestner (1908) in Paris. Dalou, who was awarded the Grand Prix of the Exposition Universelle (1889), was made a commander of the Legion of Honor. He was one of the founders of the Société Nationale des Beaux-Arts, and was the first president of the sculpture section. Dalou died in Paris on 15 April 1902, aged 63, and was interred in the Cimetière du Montparnasse in Paris.

Creator:
Aimé-Jules Dalou (Artist)
Dimensions:
Height: 5.25 in (13.34 cm)Width: 5.25 in (13.34 cm)Depth: 3.63 in (9.23 cm)
Style:
Art Nouveau (Of the Period)
Materials and Techniques:
Bronze,Patinated
Place of Origin:
France
Period:
1890-1899
Date of Manufacture:
1895
Condition:
Wear consistent with age and use. We make our best effort to provide a fair and descriptive condition report. Please examine the photos attentively. Send us a message to request more details or discuss price.
Seller Location:
New York, NY
Reference Number:
1stDibs: LU2819312804462