Austrian Cold-Painted Art Deco Bronze Entitled "Shy Maiden" by Josef Adolph

Impressive Austrian cold painted silver bronze figure of a naked Art Deco lady in a questioning pose with one hand out, signed Adolph and raised on a tall cy...

An energetic early 20th Century Art Deco cold painted bronze figure of a young agile beauty in a balanced dancing pose. The bronze exhibiting excellent colour and very fine hand chas...

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

An interesting early 20th Century erotic Austrian bronze study of a walking crocodile. The crocodile's back is hinged to reveal a gilt bronze naked bea...

An excellent early 20th Century cold painted Austrian bronze of an orientalist dancer, holding a snake above her head. with very fine colour and fabulous hand finished surface detail. Signed with the Bergman ‘B’ in an amphora vase and marked ?Geschutzt Additional information Measures: Height: 47 cm Width: 18 cm Depth: 15 cm Condition: Excellent Original Condition Circa: 1900 Materials: Cold Painted Bronze Book Ref Antique Vienna Bronzes by Joseph Zobel About Bergman Saddled Horse Franz Bergman Sculptures Bergman Man in Tent – Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental, Arab bronze and animal subjects, including Harem beauties, Arab tradesmen, Scribes and Arab Warrior and almost every animal subject that was known at the time. His father, also Franz Bergman (1838–1894), was a professional chaser (embosser) from Gablonz, Austria who came to Vienna and founded a small bronze factory in 1860. Franz Xavier inherited the company and opened a new foundry in 1900. There he created numerous cold painted (so named because the numerous layers of polychrome paint, applied to the bronze, were not fired to fix them to the metal) figures. Many other bronzes were still based on designs by Franz Bergman, the elder. Orientalist Subjects From the 17th Century onwards it was customary for the young Victorian gentleman to go on the obligatory tour of the East – the Grand Tour – as an educational rite of passage. Visiting countries and experiencing customs they had only ever heard about in stories, these young men were keen to show their families mementos of their experience, especially the lavish subjects of the Middle Eastern Arab world. The return trip would usually include a visit to Vienna, and here the ‘souvenir’ shops supplied a plethora of beautifully crafted sculptures with an Orientalist Arab flavour. These were often acquired to show their friends and families images of their travels. Bergman was noted for his detailed and colourful work and he produced a huge number of Orientalist subjects to cater for this market including this Arab Tent Lamp...

A fabulous early 20th Century Art Deco cold painted bronze figure of a naked dancer in an elegant flowing pose, exhibiting excellent colour and fine hand finished detail, raised on a green onyx base and signed Lorenzl Additional Information Measures: Height: 25 cm Width: 11 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Cold painted Bronze & Green Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 225 ABOUT Lorenzl Fleur Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Fleur – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory...

An attractive 20th Century Art Deco cold painted bronze figure of a naked dancer with her arms outstretched in an elegant pose holding the hem of the scarf that is draped around her ...

An attractive 20th Century Art Deco cold painted bronze figure of a dancer with her arms rearstretched in an elegant pose. The sculpture exhib...

Franz Bergmann Austrian, (1861-1936) Rug Merchant Measure: 14 1/4 inches high.

Franz Bergmann Austrian, (1861-1936) The Music Lesson Austrian cold-painted bronze figure of a boy learning to play the Mandolin. Measure: 15 inches high.

Franz Bergmann Austrian, (1838-1894) An Arab riding a camel Austrian cold-painted bronze figures of a an Arab riding a camel. On marble base, signed "Nam greb”. Measure: 10...

Viennese cold painted bronze orientalist lamp attributed to Bergman of an Middle Eastern man riding a camel at the Oasis trading post.