Early 20th Century American Western Sculpture Desperado by, Austrian Carl Kauba

An important pair of early 20th century French Art Nouveau gilt and cast bronze sculptures titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from the sea each embracing a conch shell Each are period sand castings finished in a ilt bronze patina. circa 1900 Signatures: Both Sculptures are each signed & impressed "Raoul Larche", each with impressed foundry marks 'Siot Decauville Paris Fondeur" one side piece is impressed "B747"; the second side piece is impressed "B748" Measurements: Side Piece: height: 16..25 in. x width: 8.5 in. Side Piece: height: 16.25 in. x width: 8.5 in. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Notes: Similar example sold at Sotheby's New York, The John and Katsy Mecom Collection, Part II, 26 November 1993, lot 28 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...

An important & monumental early 20th century French Art Nouveau gilt and cast bronze "Surtot De Table" (Centerpiece for a table) titled "La Mer' by, Francios Raoul Larche depicting mermaids emerging from within the sea amongst seaweed and water holding aloft three oyster shells with one figure emerging towards the top . The sculpture is signed with signature and foundry marks and is further a period sand casting finished in a gilt patina. circa 1900 Signature: The Sculpture is signed & impressed "Raoul Larche", further impressed foundry mark 'Siot Decauville Paris Fondeur" and numbered Measurements: Centerpiece: height: 29.5 in. x width: 32 in. x depth: 13 in.. Literature Philippe Dahhan, Étains 1900, 200 Sculpteurs de la Belle Époque, Paris, 2000, p. 229 Biography: The son of an ornamental sculptor, François-Raoul Larche was a well-known Art Nouveau sculptor...

An early 20th century American Art Nouveau Abalone pattern picture frame by, Tiffany Studios decorated in the 'Abalone" desk set pattern decorated with inlaid abalone and finished in...

A Monumental American Mid Century Modern Studio Craft carved solid wood sculpture of a pad lock. The sculpture is large in scale. The pad lock is very detailed in its look and appear...

An early 20th century French Art Nouveau carved wood"Ombelle" wall mirror by, Emile Gallé with carved "ombelle" decoration at the top arch and further carved frame with beveled glass...

Early 20th century French Art Nouveau carved wood "Les Blés" (The Wheat) pattern wall shelf by, Louis Majorelle decorated with two shallow display shelves further carved with "Les Blés" (Wheat) decoration on each bend. The shelf is ready to hang. circa 1905. Measurements: height: 20 in. x width: 28.75 in. x depth: 6.25 in. Notes: Objects Diplayed Are Not Included Biography: Louis Majorelle, (Toul, 26 September 1859 – Nancy, 15 January 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...

Signed Kauba Austria. Horse and rider plunge from naturalistic base. Literature: Harold Berman, 'Bronzes, Sculptors and Founders 1800-1930 Volume 4, PA, 1994, p. 1184.

Investing in the 20th Century C. Kauba Bronze Sculpture "Peace" is an opportunity to acquire a masterpiece that embodies both artistic excellence and profound symbolism. Crafted by t...

A very fine early 20th century Austrian bronze of an Indian Chief on Horseback by Carl Kauba. Carl Kauba The Native American in full wa...

A early 20th Century metamorphic painted gilt bronze butterfly by Austrian maker Carl Kauba (1865 - 1922), modelled as a butterfly perched on a foliate base, opening to reveal a nude...

Austrian (19/20th Cent) bronze figure of a Native American with rifle riding on horse (signed C. KAUBA)

Early 20th century bronze on Marble slab sculpture of a bronco rodeo cowboy on horse by Austrian artist Carl Kauba. Weighing a heavy 18 pounds with a solid marble base, Kauba has amazing intricate detail from the reins to the cowboys face and horses hoofs. Carl Kauba (1865-1922) Carl Kauba was born August 13, 1865 in Vienna, Austria. The son of a shoemaker, Kauba chose to follow his calling into the world of art. Collectors now rank him in a class with Remington and Russell as one of the great portrayers of American Western. His subjects were typically Native American Indians, Cavalrymen, Cowboys, and Roughriders. In addition to his American bronzes, Kauba produced a lifetime’s worth of Austrian statuary. His work became fully appreciated on both sides of the Atlantic. Carl studied at the Academy of Fine Arts in Vienna under professor Laufenberg. Later he would study at the academies under Carl Waschmann and Stefan Schwartz. Next, he went to Paris in 1886 to further study before he set off for the U.S. Kauba’s fascination with the West was fired by the stories of the German writer, Carl May, whose tales of Western adventure were well known throughout Europe. Most authorities feel that he was about twenty-five years old when he traveled widely throughout the American West. He then returned to Austria with voluminous notes, sketches, and several models of Western sculpture...