Henri Louis Levasseur Patinated Bronze Titled "Etoile du Berger, " 1853-1934

A fine 19th century French patinated bronze figure of a standing draped classical woman with a wreath to her hair holding an urn. Titled: Antifonh Measures: Height 41.5" (105.4 cm)...

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

Robert Graham (1938-2008) "Kim" 1984 signed: R. Graham A large patinated bronze figure of a standing nude lady on a rotating pedestal. Measures: Height 77" Width 14" Depth 14" Ex...

A fine 19th Century French Patinated Bronze Sculpture - "Gloria Patria" (Homeland Glory) by Eugene Marioton. Titled on the front of the base: Gloria Patria Signed: Marioton Dimens...

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

Origin: France. Period: 19th century. Material: Bronze.

A figural art nouveau solid cast bronze fire tong sculpture with a handle in the form of a woman's profile with flowing hair. Marked "H.L."

Sculpture in bronze with a medallion patina called "Muse des bois" (Muses from the woods) after Henri-Louis Levasseur. It represents a young woman dresse...

"Legend Of The Ruins" Egyptomania Bronze Bas-Relief by Henri Levasseur. Sphinx profile and half-naked woman draped signed Henri Levasseur (1853-1934).

Signed, inscribed Anna, dated 1934. Foundry mark for Meroni Radice, Paris Good original antique condition consistent with age and use. Some minor wear to patination from handling. Dimensions: Height: 9.75 inches Width: 6.25 inches Depth: 4.75 inches Max Kalish (1891 – 1945) was an American sculptor born in Valozhyn, Belarus. He was best known for his sculptures of laborers. His Orthodox Jewish family immigrated to Cleveland, Ohio in 1893, when he was two years old. He studied with Herman Matzen at the Cleveland School of Art; in New York City with Herbert Adams at the National Academy of Design, and in the studios of Alexander Stirling Calder and Isidore Konti...

BRONZE “ THE SHEPHERD” RAPHAEL HUBERT FRANCE Circa 1920s An incomparably beautiful, large, dark brownish patinated bronze. A very detailed representation of a standing “shepherd”. ...

A fine unusual Art Nouveau two tone gilt and patinated bronze bust of a young lady rising from the center of a tulip flower with fine detail, raised on a breche griotte circular marb...