Pair of 19th Century French Terracotta Egyptian Couple Torcheres Standing Lamps

19th century French pair of white Carrara marble child sculptures, one holding a cornucopia or horn of plenty and the other a sea conch.  

Life-size pair of gilt bronze torcheré female statue standing lamps on white and black marble bases.

Life-size pair of gilt bronze torcheré female statue standing lamps on white and black marble bases.

Life-size pair of gilt bronze torcheré female statue standing lamps on white and black marble bases.

Vintage 1980s French romantic style woman marble sculpture with pedestal base.

1980s Sculpture of a deer lying down with mother of pearl antlers.  

Monumental pair of French 19th century figural gilt and patinated bronze Rosso Granite marble Flambeaux Urns Torcheres, each depicting a pair of allegorical Putti (Children) holding ...

A superb quality and palatial pair of French 19th century lifesize cast-iron sculptures - torcheres of Native American Indians titled "L’ Indienne" designed by Jules Salmson (French, 1823-1902) and Cast by Le Fonderies d'Art du Val d'Osne, each standing figure representing a Native American Indian male and a female scantily dressed in their native robes, one arm raised holding a light-torch with an opaline glass globe, both wearing earrings, seashell necklaces and arm-braces, raised on cylindrical cast-iron stand. Signed/cast on each pedestal: “VAL D’OSNE”. (Electrified). Paris, circa 1870-1880. Overall hHeight: 127 inches (322.6 cm) Pedestal height: 39 inches (99.1 cm) Indian man's width: 22 inches (55.9 cm) Indian man's depth: 26 3/4 inches (68 cm) Indian woman's width: 28 inches (71.1 cm) Indian woman's depth: 25 inches (63.5 cm) These fantastic and impressive pair of cast-iron sculptures, most likely representing Hiawatha and Minnehaha, were probably comissioned to Le Fonderies d'Art du Val d'Osne for export to the America's to decorate governmental buildings and parks which makes these pair a rare find and now available for a private collection. Iron sculptures were preferred over bronze for outdoor park and building decorations for their long lasting resistance to all types of weather conditions. An identical pair of sculptures, also by Val d' Osne, are currently exhibited at the National Garden of Congress in Santiago, Chile. View Pages No. 87, 88, 89. Another identical pair are also currently exhibited at The Musée de la Ville - Indian Museum "O Indio do Museo da Cidade" in Rio de Janeiro, Brazil. Another identical pair decorate the front of the Ópera Teatro Amazonas, Manaús, Brazil. A single figure of the female Indian...

Terracotta finished stone composite sculpture of a young male nymph resting on a rock. Mounted on a round step molded base, French, mid-19th century.

Pair of 19th century French sandstone lion fragments. Well carved and with very endearing features. Though fragmentary, these lions present as importan...

Antique pair of Neoclassical style terracotta recumbent lions - unsigned - Continental - late 19th/early 20th century. The over-all condition of this pair of pre-owned antique ite...

Rare Pair French Retour D'egypt Terracotta Lions Sculptures Statues Los Angeles , Exceptional fine pair of Large French Retour D'egypt period terracotta lions, circa 1790-1810. The French Egyptian Revival style or the retour d'Egypte refers to style that makes use of the motifs and imagery of ancient Egypt. By the end of the 18th century enthusiasm for ancient Egypt generated by Napoleon's unsuccessful conquest of Egypt and, in Britain, to Admiral Nelson's defeat of Napoleon at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt and this was the first time a major study of ancient Egypt was done. Publication of the expedition's work, the description de l'Égypte, began in 1809 and came out in a series though 1826 influencing a new way of life in France thru architecture and decorative arts. However, works of art, decorative arts, furniture and, in the field of architecture and garden follies, funerary monuments in the Egyptian style had appeared in scattered European settings from the time of the Renaissance. The Egyptian Revival style came out in a few waves in France before Napoleon during the ancient Régime Egyptian motifs were mixed with the neoclassical-Louis XVI style in architecture, furniture and decorative arts. A big surge hit France around 1798 during Napoleons Egyptian expedition. This was the first major Egyptian Revival period as this was the first time in history that a major study on Egypt was done. French people became fascinated with the ancient Egyptian history, culture, architecture and furniture. Egyptian ornamentation like scarab beetles, sphinxes, winged lions and lotuses details were incorporated into Classical style furniture and decorative arts creating a style known as a hybrid neo-Egyptian. The next wave was during the height of the French Romantic period 1820s-1850s. The Egyptian Revival emerged as a result of the famous archaeological digs of the first half of the 19th century and was primarily used for Tomb memorials, temples, and cemeteries and some decorative arts. This style is distinguished by its adaptation of Egyptian forms and motifs, sphinxes guarding buildings including lotus blossoms, Pharaoh's heads, the winged disk symbol of the sun God, as well as the use of bold bright colors. At the end of the 19th century 1870s-1890s the Egyptian Revival styles were in vogue once more. At the Height of the Victorian period the Egyptian style was even more elaborate than before. Often incorporated with Neo-Greek & Renaissance Revival styles. Victorians were even more fascinated with these rare finds and incorporated their motifs into jewelry, furniture, glass and Art pottery. Heavily ornamented overstuffed furniture...