Patinated Bronze Figural Group of Diana the Huntress and Her Hound, circa 1925

Depicting a figure chasing the bronze vase on rouge marble base.

Pair of French bronze Figural Groups of the grape eaters and the flute lesson, circa 1875 Based on the engraved designs by Francois Boucher (1703-1770), "Les Mangeurs de Raisins" ...

After a model by Constantino Barbella, late 19th century. The old man seated in a chair with the girl on his lap about to bestow him with a kiss, on a shaped square base. marked C. B...

With graphic detailing and chasing. On an ebony base.

The cow enameled with loose floral and foliage decoration. Marked underneath.

Bronze sculpture of a mother pheasant protecting her chicks from an approaching lizard. Inscribed Arson.

A wonderful French 19th century patinated bronze statue of Diana the Huntress, signed HOUDON. The statue is raised by a circular Rouge Griotte and moulded bronze base. The nude Diana...

Material: Bronze Artist: Jean-Antoine Houdon Inscription: Circular base inscribed "HOUDON" Period: Circa 1860 Dimensions: 65 x 40 x 30 cm (height x width x depth) Features and Detail...

A very fine bronze sculpture modelled as the beautiful goddess standing with her bow and quiver and gently holding the collar of her hunting hound. The bronze with warm brown patina ...

A very handsome French 19th century patinated bronze and ormolu statue of Diana the huntress, signed Susse Frères. The statue is raised by a rectangular mottled base with a concave f...

Sculpture in bronze representing Diana the hunter after Jean-Antoine Houdon (1741- 1828). In Roman mythology, Diana is the goddess of the hunt and of the night, similar to Artemis in...

Alfred Boucher (French, 1850-1934), ‘Diana the Huntress’, A Near Lifesize Statuary Marble Group. Modelled nude with head turned looking to her left, striding forward holding the greyhound by its collar with her right hand and a giltwood bow in her left hand. On an integral carved base with foliage support. Signed 'A. BOUCHER' Boucher’s choice of pose is deliberately indebted to the celebrated mid-16th century painting of Diana the Huntress by an anonymous artist of the School of Fontainebleau. The painting is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana, who is shown nude, walking forward beside a greyhound, looking over her left shoulder and holding a bow. Another clear antecedent for Boucher’s ‘Diane the Huntress...