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Rare Pair of 14th Century Angels, Siena, Italy

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  • 14th Century Sculpture of the Head of an Angel from East of France or Rhineland
    Located in Saint-Ouen, FR
    This face with prominent eyes, open mouth and beautiful hairs with symetrical undulations may be the face of the Archangel Gabriel.  
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    Antique 15th Century and Earlier French Gothic Figurative Sculptures

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  • 19th Century Pair of Italian Renaissance Revival Oak Angel Statues
    Located in New York, NY
    Pair of Italian Renaissance style (19th Century) carved oak large angels with guitars.  
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    Antique 19th Century Renaissance Figurative Sculptures

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  • Alabaster high relief, Spain 14th century
    Located in PARIS, FR
    Alabaster plate in high relief illustrating a forgeron working on a metal object (a helmet?). A young woman is in front of him holding in her left hand an ovoid vase or reliquary tha...
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    Antique 15th Century and Earlier Spanish Medieval Figurative Sculptures

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  • Indonesian Majapahit Terracotta Head of a Male, circa 14th Century
    Located in Austin, TX
    A charming head of a young male, Majapahit Empire, region of Trowulan, Eastern Java, Indonesia, 13th-14th century. The head well sculpted as a smiling, youthful male with buck teet...
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    Antique 15th Century and Earlier Javanese Tribal Sculptures and Carvings

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  • Pair of 17th Century Angels
    Located in TOULOUSE, FR
    Pair of angels in polychrome and gilded wood. They each carry a cornucopia receiving two iron arms of light decorated with flowers and foliage. Charming expression of these smiling...
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    Antique 1610s Spanish Other Figurative Sculptures

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  • Important German Pietà from the, 14th Century
    Located in Saint-Ouen, FR
    IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...
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    Antique 15th Century and Earlier Figurative Sculptures

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