Vintage Cast Bronze Fist Sculpture on Wood Base, Signed R Silverman, circa 1980s

Extremely rare work by renowned Chicago modern artist, George Kafka, circa 1973. The Totem structure is formed through welded, stacked abstract shapes c...

Vintage exaggerated Molded fiberglass Female body form on fluted base, circa 1970s. Abstract molded fiberglass female form with nipped proportions and elon...

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, Circa 1950s. A gorgeous interpretation of a Congolese Kifwebe mask rendered in off-white stoneware with incised surface detailing in shades of tan and brown. Mounted on a solid mahogany base. We believe this piece to have inspired by an actual carved wood Kifwebe mask in the collection of the MET. Possibly produced by Heifetz, but likely a one-of-a-kind off piece. SOLD WITHOUT LAMPSHADE. “The striations on both male and female masks, which are a unique stylistic trait of all Songye masks, are derived from the markings and patterns of wild and dangerous animals, such as the zebra or striped antelope, crocodile, lion, porcupine, and snake. Bifwebe (Male masks) may be painted black, white, and red. The colors of black and white, however, refer to gender. Female masks are predominantly white, if they are painted at all.” - Dallas Museum of Art “Kifwebe masks played a central role in Songye society enacting control over the social order, and participating in crucial activities such as initiations. This face mask only formed part of a costume ensemble that also included a hood, shirt, and pants made of woven bark, completed by diverse implements in animal skins, furs, and feathers. Like most masks in Western collections, this example was separated from the rest of the costume following its collection from Africa. Once removed from its original context, it no longer formed part of a kinetic and multisensory environment but was admired as a static object of strong graphic qualities, particularly its contrasting white and black striations, stylized features, and overall sense of balance.” - Metropolitan Museum of Art, New York Condition: Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos...

Vintage Signed Aquatint by Andrew Stevovich Titled "Twenty-One," Circa 1988. 7-color aquatint by noted contemporary figurative painter, Andrew Stevovich. A group of four seated figur...

Rare Vintage Cast Glass and Chrome Lamp by Luciano Gaspari for Salviati Italy, Circa 1960s. Modernist abstract textured clear glass form with three circular voids. Monumental in scal...

An exquisite sculptural wood vase of turned cherry burl by the late artist, Melvin Lindquist. He honed his Craft at home, exploring the IDEA of the va...

Art Deco style bronze or brass swimming fish sculpture on a wooden base. Bronze trim on the bottom of the wooden base. This is a heavy well cast bronze sculpture from the 1980s. Larg...

Decorative bronze sculpture signed.

Antique lion bronze sculpture on a round wood base. I've not found signature, but it is a French statue. nr. O/7561   

This wonderful vintage bronze sculpture is dimensional and large. The polished bronze large skull head and small apple are yin and yang. It sits on an a black stained wood original base that has been redone. It is signed inside by an unknown sculptor named Elias on the inside. The wood on the inside has not been ebonized because of the signature. It definitely elicits conversation. The bronze parts...

The Vintage Italian Organic Wood Sculpture from the 1980s, displayed on a square marble base, is a captivating art piece that harmoniously combines natural wood forms with the elegan...

Brazilian Modern abstract bronze sculpture on granite vase by renowned sculptor Celina Lisboa. Signed on bronze and maintains label on base. Numbered 1/6 circa 1980s.