Austrian Mobiles and Kinetic Sculptures

Art Deco silver plated bronze sculpture of a rabbit hare. Lovely paperweight. Edouard Marcel Sandoz (1881-1973). Signature/ Marks: Ed.M. Sandoz - Susse Fre'...

Art Deco bronze car mascot French bulldog signed by Gaston H. Bourcart. The hood ornament is in gilt bronze and stands on a marble base. France 1925. This mascot is illustrated plate nr. 329 Mascottes passion, Michel Legrand, Antic show éditions. More information: Mascottes automobiles...

Lost wax casting. Base in marble. On the square base rises a rock formation treated so that it resembles ice in and snow. Above it, the polar bear is placed, which stretches its head...

Mid-Century Modern vintage leather brass magazine rack, which was designed by Carl Auböck, 1950s. The magazine rack consists of a brass frame and a light high quality leather bag for...

Presenting a stunning Sleeping Baby Bronze by Charles Umlauf. A Wonderful piece of contemporary American Sculpture by a famous American/Texas Sculptor...

Art Deco French Bronze Sculpture of a Sphinx. Signed C. Charles Bronze sculpture of the stone Sphinx of Giza in Egypt, on a rectangular marble base. Signed C. Charles and Stamped F...

Exemplary of Art Nouveau elegance, the sensuous female form is the focus of this Viennese bronze by Austrian sculptor Carl Kauba (1865 - 1922). The intricately detailed bronze captures the supple form of an exotic Nubian dancer in a true representation of the era’s predominant aesthetic. Both classical and evocative, the nude figure is adorned by an array of bronze jewelry, including a stunning golden belt...

A fine French bronze statue of a deer or stag featuring fine modeling in the round, on scroll-work base.

Art Deco, Cubist figure of a lying lady. Called by the Artist The Lying Nymph. Made between 1921-1926. Terracotta over a black wooden base. Bio: Pablo Curatella Manes (December 14, 1891–November 14, 1962) was a prolific Argentine sculptor. Born in La Plata in 1891 to Clara Manes, a Greek Argentine immigrant, and Antonio Curatella, from Italy, Curatella Manes first acquired an interest in sculpture during his frequent childhood visits to the newly inaugurated La Plata Fine Arts Museum. He entered the labor force in 1905, as a typographer in a printing house, though an accident some months later ended his career in that industry. Drawing on his childhood interest, he was taught the basics of sculpture by Arturo Dresco, who owned a local atelier. The Curatellas relocated to Buenos Aires, where the young sculptor enrolled in the National Fine Arts School in 1907. A rebellious streak promptly led to his expulsion, though Curatella earned an apprenticeship in 1908, under Lucio Correa Morales, with whom he worked on a number of works commissioned by Public Parks Director Charles Thays. Following the 1910 elections, he created a commemorative gold medal for Vice President-elect Victorino de la Plaza, who secured a scholarship for Curatella that took him to Florence and Rome. Curatella traveled extensively in Italy, as well as much of Western Europe, touring the region's museums and cathedrals. On his return to Argentina in 1912, National Fine Arts School director Ernesto de la Cárcova nearly ordered the funds' repayment, objecting to travel and activities not covered by the scholarship, desisting from the punishment after being shown a folio of Curatella's prolific work. His first Buenos Aires exhibit, in 1912, was followed by a return to Europe. He settled in the Montparnasse section of Paris and studied under Aristide Maillol and Emile-Antoine Bourdelle, but was forced to return home after the outbreak of World War I. In his native La Plata he opened an art gallery, the Salón de Otoño (Autumn Salon), in 1916. A brief return in 1917 to Paris, where Curatella worked under Maillol, Maurice Denis and Paul Sérusier, was eventually followed by a second scholarship, with which he settled in Paris in 1920. Studying under Henri Laurens, Juan Gris, Constantin Brâncu?i and Le Corbusier, Curatella explored Cubism, and his sculptures became more avant-garde; he also established his first atelier, where he acquired the habit of creating and destroying sculptures in a single day. He married French painter Germaine Derbecqre in 1922 and in 1926, was given a post in the Argentine Embassy. Returning to Argentina in 1929, he exhibited Las Tres Gracias...

A charming modernist paperweight in the shape of a foot, designed by Carl Auböck in the 1950s. Handmade of solid polished brass by Werkstätte Auböck in Austria. Fully stamped and m...

This amazing and intricate carved wood box sculpture that stands tabletop is signed and dated. The signature is not terribly legible but is dated 1996. It is in the style of Louise Nevelson. The box opens to geometric and raised forms that are dimensional. It bridges Folk Art, Tramp Art and modern art all in one. As you can see from the photos it folds up like a small suitcase...

A charming modernist paperweight in the shape of a foot, designed by Carl Auböck in the 1950s. Handmade of solid polished brass by Werkstätte Auböck in Austria. Fully stamped and m...