Right Foot Hourglass

Burner Zen, incense burner in porcelain and with 24K gold paint. Made for 2 incense sticks, incense sticks not included. Delivered in a luxury gift box.

Sculpture leopard black and white right. All in hand-crafted ceramic made in Italy.

Center piece bamboo gold in nickel-plated with handle at the top, in 24-karat gold-plated. With 2 plates in nickel-plated. Delivered in a luxury gift box.

Cup or center piece bamboos round with polished stainless steel cup structure on gold plated 24-karat polished stainless steel base.

Cup or center piece bamboos oval with polished stainless steel cup structure on gold-plated 24-karat on stainless steel base.

Bowl nickel table in aluminium in nickel finish. Elegant center table bowl.

Magnificent pair of Russian Ormolu and Baccarat crystal centerpieces. The removable Baccarat Tazzas with engraved in deeply cut laurel wreath motif sit atop an ormolu sculpture of th...

Sculptural centerpiece in the manner of Gaetano Pesce, 1990s.

OHO is a brass plate with a retrò taste and a futuristic twist: a precious artisan object entirely hand crafted. This creation comes from a research on different possible combination...

There is all the Italian artisan mastery in this exceptional Mid-Century Modern open worked large Majolica ornament centerpiece in the form of a long shell enriched with crab, seahorse and red coral perfectly shaped inside it. Looking at this sculpture you will feel the sound of the ocean. Every part of this colorful and powerful handmade marine themed composition is incredibly realistic and well made. The open shell depicted in a palette made of browns, pink, yellow and green contains a big red coral...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Art Nouveau 'Plaster' Detailed and Stylized Image of a Women's Buste Beautifully Detailed 1935, France Signed: Depose C.G.390 The Buste is in good condition with a nice age pati...