Mid century vintage large Blenko Handblown ruby red jar with stopper

This is a large mid-century vintage Blenko blue glass jar with his original stopper. This blue jar has a heavily crackled finish of the surface and i...

This is a large mid century vintage, espresso brown pottery vase. This vase features four large exaggerated handles with a ribbed detail to the center...

This is a mid century vintage hand painted pottery urn with lid. This hand painted classical Italian urn has beautiful tones of chocolate brown, Amber and cream. This urn with lid wa...

This is a mid century vintage handblown glass Murano paperweight. This paperweight has a unique design in that the interior of the glass looks like tortoiseshell with beautiful tones of dark brown, Amber and gold. This vintage paperweight...

This is an original Blenko hand blown glass with identifying pontil underneath, circa 1965 by Wayne Husted; ambarina with orange highlights. The other glass items shown are for displ...

This is a mid century vintage artisan studio pottery bowl with lid. This artisan pottery has a distinctive and unique robins egg blue and brown g...

William Blenko started a sheet glass company in 1921, in Milton, West Virginia because of low natural gas prices, a major concern for glass manufacturers of the time, which drew m...

Large blue body bottle with stopper . Bottle measures 19.5 tall add 5.5" for stopper diameter 8.75" . William Blenko started a sheet glass company in 1921, in Milton, West Virgi...

Large Blenko red blown Art Glass vase vessel jug with stopper. Circa 1960s. Measurements: 23.5" height x 9" diameter.

Large blown glass amberina/tangerine lidded jar designed by John Nickerson for Blenko (model number 7328). This model first appeared in the 1973 Blenko catalog and remained in produc...

Large Mid-Century Modern hand blown Glass Turquoise Table Vase / Vessel by Blenko Spherical teal hand blown glass flower vase or centerp...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...