19th Century Elkington Garniture Set

This magnificent silver-gilt Portland vase was crafted by the pioneering silversmithing firm of Elkington & Co. The iconic classical scenes are chased up...

This exquisite pair of rosso antico marble and gilt bronze potpourri vases epitomize opulent artistry. A popular material for sculpture in ancient ...

An important antique silverplate charger created by Elkington & Co., based on a sculpture by French artist Morel Ladeuil. Cast by one of the most significant and highly respected English silver firms in history, the classically-designed repoussé form displays an intimate scene of a lady being dressed by her attendants. Surrounded by a border of Greek anthemions and supported its elm and mahogany solid wood frame, this plaque is a tour-de-force of silver plate artistry. Elkington & Co. patented the first commercial electroplating process and held Royal Warrants for Queen Victoria, King Edward VI...

Uniquely designed in the form of a gift box tied with ribbon, this engaging silver tea caddy was created by the prominent silversmith Frederick Elking...

This remarkable and historic parcel-gilt electroplate table hails from renowned British firm Elkington & Co., the distinguished company that i...

Crafted by the leading English silversmith firm of the 19th century, this rare and beautifully executed beverage service by Elkington & Co. is a fantastic example of the company's innovative electroplates work. Comprising an acid-etched pitcher, six goblets and a serving tray, the parcel gilt and silver plated service boasts an incredible repoussé and chased Baroque motif. Elegantly draped maidens attended by putti distinguish the set's design, which is similar in manner to the famed Venus Rosewater...

Important tray made in gilded bronze and “cloisonné” enamel attributed to Elkington and Willms. Ornamented with a centering polychrome enameled peacock plaque, made of very high standard quality, mounted on a gilt-bronze dish, decorated in relief with Japanese Nô theater masks. The great Birmingham firm of Elkingtons, was largely the creation of George Richards Elkington (1800-1865), who worked from 1824 in Birmingham as a manufacturer of silver-mounted scent bottles. By 1829 the business had expanded sufficiently for a branch to have been established in London. In the late 1830s the Elkingtons began making experiments to apply the principles of electro-metallurgy to gilding and plating with silver and in 1840 the patent was at last taken out. Elkingtons owed their rise to a position amongst the most important silversmiths of the country to their exploitation of this new process and the two of the most famous designers then employed, both of them French, Albert Wilms (1827-1899) and Morel-Ladeuil (1820-1888), who helped to make Elkingtons’ reputation with their elaborate exhibition pieces. Albert Willms was apprenticed as modeler and engraver to Klagman, Dieterle and Constant in Paris before working for Morel & Co. in London in 1848. On his return to Paris he was employed by the great Parisian silversmiths including Christofle and Froment-Meurice, for whom he designed pieces to be presented at the 1855 Universal Exhibition in Paris. It was during this period that he joined the firm of Elkington in London as head decorator. Elkington was soon to become one of the first to produce refined pieces in “champlevé” enamel in the Chinese and Japanese styles, which were presented with great success at the London Universal Exhibition in 1862 (see Masterpieces of Industrial Art & Sculpture at the International Exhibition 1862, J.B. Waring, London, 1863, III, pl. 211). Willms’ “champlevé” enamels could not be compared, however, with the delicate “cloisonné” enamels exhibited by Japan at the Universal Exhibition in Paris in 1867. This explains why Elkington adapted the ancient Japanese technique to produce pieces according to European taste and custom. Followings the 1867 Exhibition all the major European artists rivaled in ingenuity for the 1873 Universal Exhibition in Vienna. In London Albert Willms presented his luxurious vases and cups in “cloisonné” enamel for Elkington (see Illustrations of Art Manufacturers in the Precious Metals exhibited by Elkington & Co., Inventors, Patentees and Manufactures of electroplate, 1873), whilst in Paris, Ferdinand Thesmar (1843-1912) produced in the workshops of Ferdinand Barbedienne (1810-1892) a tray decorated with a golden pheasant in “cloisonné” enamel on copper...

Hallmarked in Birmingham in 1898/9 by Elkington & Co., this fantastic quality, pair of Victorian, antique, sterling silver bowls, are oval in shape, featuring ornate chased decoratio...

Opulent and exquisite 19th century French three piece garniture, with original gilt and magnificent chasing. Each candelabra is 35 inches high. The clock face is signed Clermont, Rue St Honore...

Set of 3 19th Century English Garniture set.

19th century teestoff, made from walnut and ebonized walnut, which are in a scalloped form and molded edge, resting on top of a hand turned column and hand turned base, supported on ...

Hewn wooden slats, conjoined by hand-hammered metal bands, this wooden bucket was sourced in Central Europe, dating to the 19th Century. Reminding of a time of hand-made craftsmanshi...