Mid Century Hertel Jacob German Porcelain Ginger Jar, Signed Fuchs-Nadler

Pair of exquisite 19th century Royal Vienna porcelain vases. A fine example of the Neo-Classical Austrian style, these vases are decorated with an ornate garden floral motif. Encrusted with sculptural bunches of pink and yellow roses, and painted with tiny bees, butterflies, and gold accents. The Royal Vienna mark (Bindenschild, or shield) appears on the base of each vase in blue. Each vase measures 7"H x 4"W x 4"D. History of The Royal Vienna Porcelain Factory: The Royal Vienna Porcelain factory was founded in 1717 by Claudius Innocentius Du Paquier...

19th Century Limoges French Painted Porcelain Pitcher Rare and prized, American Amateur painting on French Limoges pitcher, circa 1897. Dimensions, 1...

Beautiful vintage Murano, hand blown, Italian glass vase. This thick Murano vase depicts a very elegant solid blush pink top with a clear glass layer over the pink and a clear base. ...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

Small Mid-Century Modern Red Murano Glass Bud Vase Bright translucent red hand blown Murano glass bud vase, with four large ridged details. One ...

Modern Cyan Blue & Yellow Blown Glass Vase, Signed M. Saull Vibrant cyan blue glass vase with yellow and black accents reminiscent of agate. V...

An Asian Chinoiserie style ginger jar with lid, unbranded. Fine porcelain body in a hexagon shape, hand painted with a multi-color Chinoiserie scene and a tiny round handled lid. Lik...

20th c., a pair of Japanese Kutani style porcelain lidded jars, stamped on Porcelaine de Paris underside of foot. The mark indicates the piece was produced in the 1970's. The jars are decorated in deep orange, tangerine and gold motifs on a white background. On one side, both jars have matching decoration depicting a scroll showing a pastoral scene. On the other side, each jar has a seperate floral depiction; one including bamboo. Both are highly decorative. Founded 1773 by Jean-Baptiste Locre, Porcelaine de Paris, was one of the first manufactures to use the Chinese secret of porcelain. It immediately aimed for the luxury trade, selling to the Royal Courts of Europe. After surviving the French Revolution, Porcelaine de Paris steadily produced tableware as well as purely decorative pieces, receiving orders from all over Europe. Productivity was astonishing, creating one new model every day over 30 years! Around 1830, Jean-Marx Clauss, a German-born potter bought a building at Rue de la Pierre-Levee, where he took over Locre's activity. M. Achille Bloch...

An Asian chinoiserie style ginger jar with lid, unbranded. fine porcelain body, hand painted with a multi-color chinoiserie scene and a tiny gold painted dog to form the handle for l...

Pair of Chinese blue and white porcelain glazed decorative figural and floral ginger jars with the original removable lids, 20th century.

A fine French 19th century Napoleon III Sèvres style porcelain and ormolu-mounted covered urn, the 360 degree painted urn centered with an 18th century romantic scene of two ladies a...

A very rare pair of porcelain vases from the house of Hertel-Jacob Porzellan, Bavaria Germany. They measure 8" by 5" and 7.5" by 4", both are signed Hertel-Jacob Porzellan, Bavaria, ...