A 19th C. French Louis XVI Patinated & Doré Bronze Jardinière, F. Barbedienne

A Pair of French 19th century Louis XVI style Dore bronze, Champlevé Enamel, and rouge marble mounted 'Day and Night' Vases. Each vase is beautifully cast, hand-chased, and hand-chiseled with meticulous detail. On each of the vases are relief images of arabesque woman each representing night and day in draped clothing...

A Fantastic 19th century French Islamic/Orientalist Style Champleve Enamel Vase and Underplate, Signed F. Barbedienne. The wide-mouthed vase terminates down a narrowing body and is m...

A Beautifully Designed Small Patinated and Dore Bronze French Side Table, Attributed to F. Barbedienne, the Magnificent French Metalworker and Manufacturer. This beautifully cast an...

A beautiful pair of 19th century French Sèvres style Porcelain and ormolu-mounted ewers which are hand painted in Sèvres celest blue color porcelain. Each ewer is very finely hand pa...

A Fantastic Pair of 19th Century French Louis XVI Style Dore Bronze Mounted Chinese Famille Rose Porcelain Potpourris. Each dark blue ground porcelain body is beautifully hand-enamel...

A fabulous and one of a kind French Louis XVI style doré bronze mounted aquatic inspired hand carved and acid washed crystal planter/centerpiece. This is truly a gorgeous piece. The crystal is all hand carved, etched and acid washed to give a beautiful clear and matted finish. The border of the crystal has an acid-washed Greek key scroll...

A lovely French 19th century Louis XVI st. ormolu and marble urn, signed 'F. Barbedienne'. The urn is raised by a circular Rouge Griotte marble base with a bottom ormolu fillet. At t...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...

An imposing late 19th century Napoleon III gilt bronze mounted rouge griotte marble jardiniere by Barbedienne Ferdinand Barbedienne The oval waisted neck with gadrooned surroun...

Pair of fire-gilt bronze amphorae by Ferdinand Levillain (1837-1905) and Ferdinand Barbedienne (1810-1892) on trefoil red marble bases. The vases stand on lion paw feet with Hercules atlases and antique scenes...

Louis XVI style jardinière, France, 19th century. The Louis XVI jardinière is decorated with satinwood veneer and a marquetry in elm and walnut. The brass inside of the flower conta...

A wonderful pair of bronze vases with high relief by Bardedienne. France, circa 1870.