19th Century Majolica Rooster Massier Jardiniere

Antique Majolica rooster with leaves, corn and wild rose vase signed Delphin Massier, circa 1890. The Massier produced roosters in a big range of sizes, this is the medium size. The...

Rare Majolica Grasshopper Jardinière Massier circa 1900.

Rare Majolica grasshopper Jardinière signed Jerome Massier Vallauris.

Large Majolica colorful rooster signed Delphin Massier circa 1890. On the back of the rooster, a rare brown bamboo vase, usually the vase is a trunk.

Small Majolica white swan jardinière signed Jerome Massier Vallauris, circa 1890.

Elegant Majolica vase with a flamingo in front of leaves vase signed Delphin Massier, circa 1890. The Massier are known for the quality of their unique enamels and paintings. The Ma...

Bring the country French style into your home with this large, colorful, antique rooster figure with side vase. Crafted in France circa 1890, the chicken sculpture is a Classic French country home accessory. The tall porcelain bird...

Joseph Holdcroft had previously been employed at Minton for eighteen years where he became most proficient in the production of Majolica, although the firm also produced Parian and o...

A French late 19th century Majolica figural jardinière (planter) modeled as a young Neapolitan vintner boy balancing a weaved basket over his head, standing on the back of a tortoise...

Delphin Massier Majolica jardinière which features flowering thistles. Coloration: cream, pink, green, are predominant. The piece bears maker'...

Delphin Massier French Majolica figural vase which features an exquisitely colourful rooster / cockerel, standing in front of a bamboo-effect vase. Colouration: yellow, teal blue gre...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...