French 19th Century Bronze Amphora Depicting the Ancient Greek God Poseidon

Exquisite pair of 19th Century Copper and Bronze Greek Urns/Vases, reminiscent of the Hellenistic era, adorned with timeless symbols of wisdom and strength. Proudly displayed on each vessel is the revered owl of Athena, a symbol of wisdom and knowledge, standing watch...

This sculpture, dating back to the 19th century in France, is a striking representation of a woman's hand crafted from bronze. The hand is delicately sculpted to capture the fine det...

Experience the timeless elegance of equestrian beauty with this exquisite bronze proof featuring a horse in the paddock, adorned with a rich brown patina, and distinguished by the si...

19th century granite stone Grand Tour style decorative vase. Granite is a very hard igneous rock that has a very pleasing granular decoration. Th...

Crafted by the skilled hands of Louis-Albert Carvin, a renowned French artist celebrated for his bronze animalier sculptures, this striking 19th-century masterpiece captures the esse...

Captivating late 19th-century bronze sculpture crafted by the skilled hands of Clovis Edmond Masson (1838-1917), depicting a charming scene of a dog engaged in playful interaction wi...

This is a truly magnificent antique Victorian patinated bronze sculpture of the famous Greek God Apollo, modelled upon a shaped circular socle, inscribed monogram 'NF' and numbered 2...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...

19th century Italian bronze bust of Jupiter on integral socle base, sits on a polished marble plinth. Nice chocolate patina. Inscribed 'Giove' on the rear. 7.5 inches high 3 wide 2.5 deep ( 5.25 high without base) Jupiter, also called Jove, Giove, the chief ancient Roman and Italian god. Like Zeus, the Greek god, Jupiter was a sky god. One of his most ancient epithets is Lucetius (“Light-Bringer”). Throughout Italy he was worshiped on the summits of hills. At Rome itself on the Capitoline Hill was his oldest temple; Jupiter gained a new force and meaning at the close of the early Roman...

This superb Grand Tour bronze study portrays a bust of Diana of Versailles or Diana the Huntress, considered in Roman and Hellenistic mythology as goddess and patroness of countryside, nature, hunters, wildlife and childbirth. This fine example is French, circa 1860. It is raised onto a sophisticated base with a thin bronze foot with a turned black slate plinth and above there is a highly decorative cast...

French bronze centerpiece raised on three legs ended with animal heads. France, circa 1880.    

19th century French gilt bronze ormolu one handled amphora shape ewer in 24-karat gilt bronze with exterior design details. Rounded base with acanth...