A Pair of 19th Century Paris Porcelain Urns

An early nineteenth century neoclassical ice pail modelled in greens and greys with applied decorative swags, removable lid with acorn finial, all supported on a square plinth base.

An unusual pair of mid 19th century mahogany occasional tables, crossbanded with tulipwood, supported on turned pedestals and stepped, tiered bases.

An unusual pair of mid 19th century mahogany occasional tables, crossbanded with tulipwood, supported on turned pedestals and stepped, tiered bases.

England, circa 1820 A pair of early nineteenth century bronze candlesticks, with tapering stems and urn shaped bases, supported on faux porphyry plinths. Height 33.00cm Width 12.00cm

England, circa 1880 A pair of late nineteenth century mahogany bedside cabinets of pedestal form, opening with one door to the fronts, with carved gadrooning to top and base. Heig...

France, circa 1860 A pair of mid nineteenth century Empire bedside cabinets, with original grey marble tops, with ormolu Egyptian caryatids, opening wi...

A fine pair of antique French urns in 'Porcelain de Paris', and dating from the early 19th century. These sensational vases are decorated w...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...

A most elegant pair of French 19th century neo-classical st. Porcelain de Paris urns. Each urn is raised by a square base below an elegant mottled socle shaped pedestal. The bodies d...

19th century pair of French figural glazed porcelain vases / urns with exterior gilt painted design scene details. Each vase / urn is in good condition. No chips, cracks, or restoration observed. Minor wear consistent with age / use. Each one stands about 19.5 inches tall x 8 inches wide X 4.5 deep pair of French figural porcelain...

19th century pair of Paris porcelain vases of gilt and green glaze depicting classical scenes. Inscribed with ‘F’ mark on th...

Pair of French Old Paris unmarked urns are made of hard paste porcelain with polychrome and gold leaf. The pedestal bases are attached with an iron bolt. These classical form urns ar...