Alvino Bagni for Raymor Vase

Two classic Alvino Bagni for Raymor circa 1960s jug form vases. One is blue-green, the other is yellow-orange-green. Over 12" high these are very substantial and heavy! Can be sold i...

A large ceramic vessel by Alvino Bagni for Raymor, Italy circa 1960s. Jug form with beautiful stylized decoration in shades of brown.

A beautiful and substantial Raymor vase in mixed glazes. Vibrant yellow, brown, blue. Made in Italy ca' 1970's.

Stunning large vase designed by Aldo Londi for Bitossi, features a seta design in rare "Lobster" colors. Measures: 16” tall 5” wide.

Timeless vase designed by Jerk Werkmäster and produced by Nittsjö. Features an off white grayish body with hints of rust colored spots. Very much as relevant today as it was when made.

A stoneware vase designed by Arthur Andersson for Wallåkra, circa 1950s. Features an exciting glaze which starts as a rough flat black towards the bottom and moves into a glazed blac...

Designer: Alvino Bagni. Importer: Raymor. Period or model: Mid-Century Modern. Specs: Pottery Condition: This Alvino Bagni orange vase Imported by Raymor is in excellen...

Designer: Alvino Bagni. Importer: Raymor. Period or model: Mid-Century Modern. Specs: Pottery Condition: This Alvino Bagni 4303 bowl or vase Imported by Raymor is in ex...

Bulbous ceramic vase with abstract glaze by Alvino Bagni.

Alvino Bagni for Raymor vase, ceramic, orange, green, brown, signed. Tall cylinder vase with a subtle textured sand glaze of bright orange, gree...

Bagni for Raymor, vase, ceramic, white, stripes, blue, yellow, signed. Tall chunky bisque vase decorated with bands of blue turquoise, burnt orange, yellow and two shades of blue on ...

Alvino Bagni for Raymor vase, ceramic, brown, beige, earth tones, signed. Chunky medium scale organic gourd form vase with a pinched neck, sloped shoulders, and footed base. Signed on the underside with a Raymor label which reads: 4437 BAG. Alvino Bagni was born in Lastra a Signa, Italy, in 1919, and from a young age he began to take an interest in ceramics, which was an important industry at the time in the area around Signa, Lastra a Signa and Montelupo (Florence). Thanks to the teachings of an elderly artist, Torello Santini, he got a job in the workshop of Arnaldo Pugi’s ceramics factory in Ponte a Signa. After the Second World War, Pugi gave Bagni the financial support to help him open his own workshop. And with 3,500 plates bearing the slogan “I like Ike” (produced for the electoral campaign of Dwight D. Eisenhower, who became 34th US president in 1953) the story of Ceramiche Bagni began. Alvino took several family members with him, first and foremost his wife Gina, who accompanied him throughout his career. The fifties and sixties were fundamentally important for the Bagni company, which succeeded in establishing privileged relations with a number of important names in American design and business, including Raymor (N.Y.) and Rosenthal, for whom he created extremely modern items for that time. In 1970 the company moved to a larger, more modern factory, where it was able to take business up a gear. Here Alvino surrounded himself with highly-skilled collaborators and artists, such as E. Borgini, M. Mannori, R. Buti, M. Santonocito, and many others, with whom he achieved a perfect balance between material, technique and aesthetics. By 1980 the factory had as many as 100 employees, and was renowned for its high-quality artistic production, elegant objects and its use of new and experimental techniques. As the working world changed, becoming increasingly globalized and open to new competition, the company found itself in difficulty. Tied as it was to its “artisanal” approach, it struggled to withstand the excessive drop in prices… despite all his efforts to save his employees and his factory, in 1990 it closed for good. However, in ’93 he was back in the game with the new venture Nuove Forme...