Carlo Zauli Italian Modern Signed And Archived Archaic Vase

Stoneware vase with green-gray background glaze and patterns primarily in browns and yellows. Zauli Faenza Reference number AG001160CZ from the general archive of the artist Claudio ...

Riccardo Gatti Italian important vase in glazed ceramic "a lustro". Faenza dating from the mid 1930s. Signed on the base Every item of our Gallery, upon request, is accompanied by a...

Italian artists Pietro Melandri and Paolo Zoli glazed majolica round shaped vase for ’La Faiance’. Faenza Italy 1915 ca. This wonderful little masterpiece, depicting floral in shade...

Vintage Italian glass vase by Tommaso Barbi Rome 1970 circa Original label Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrin...

Trapezoidal lamp in antique pink glass. The form of this piece suggests a vase. Made completely of antique pink glass, the upper edge is embellished...

Beautiful glass vase attributed to the Murano master Archimede Seguso Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina E...

Vaso scultureo Italiano in ceramica disegnato e prodotto dall'artista Carlo Zauli, firmato sotto la base Zauli Faenza, Italia anni 50.

Vaso scultureo Italiano in ceramica disegnato e prodotto dall'artista Carlo Zauli, firmato sotto la base Zauli Faenza, Italia anni 50.

Single flower vase in polychrome ceramic, signed on the bottom. Carlo Zauli (Faenza, 19 August 1926 - Faenza, 14 January 2002).

Decorative vase realized in a warm gray stoneware with band decorations, designed and manufactured by Carlo Zauli in 1960s. Signature engraved visible under the base. After winnin...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...