French Midcentury Vase by Alexandre Kostanda

French ceramic dove vase France, circa 1960’s Doves are often declared messengers and symbols of love and peace Petite vase with frog holes for optimal flowe...

Noomi Backhausen for Søholm Stentøj vase Denmark, circa 1960’s Raised floral motif Modern neutral palette Matte finish Perfectly p...

Quimper ceramic earthenware vessel with lid Substantial piece in weight and feel with beautiful floral motif Wonderfully vibrant colors Marked identi...

Robert Picault ceramic trays France, circa 1950’s Vibrant colors, playful patterns and design No structural damage Patina from age and use Marked identification This listing is...

French stoneware bottle Neutral toned ceramic stoneware ceramic bottle Organic composition and feel Vessel has not been tested to hold water...

French ceramic stoneware bottle vase Neutral toned ceramic stoneware ceramic bottle Organic composition and feel This large bottle is grand in scale and substantial enough to hold a...

Snow Gray Ceramic Bowl by Alexandre Kostanda. France, circa 1960. Signed on the bottom. Alexandre Kostanda (1921-2007) for Vallauris. Kostanda was a ceramic artist living and workin...

Glazed Ceramic Vessel by Alexandre Kostanda. Stamped and signed on the bottom. France, circa 1960.

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...

French midcentury stoneware vase by Ferdinand Elchinger (Soufflenheim ), France, 1950s. Measures: Height: 10"(25.5cm), Width: 9.6"(24.5cm), ...

A ceramic pitcher by Alexandre Kostanda Vallauris France 1960s Nice Owl Drawing Signed under

Beautiful French midcentury pitcher vase signed L. Valenti, Longwy with original Longwy design crown stamp. Titled "Lys Tigres" in turquoise, yellows, white, red, green and gold on a...