Japanese Red and Gold Porcelain Vase by Contemporary Master Artist

Contemporary gilded and intricately hand painted Japanese porcelain vase in an elegant bottle shape, hand painted in red with generous gold detailed, decorated with a wide band with ...

Japanese contemporary gilded and dimpled porcelain vase beautiully decorated with cherry blossoms in iron red, a signed work by highly acclaimed master porcelain artist in the Imari-...

Exquisite contemporary Japanese hand painted decorative porcelain vase, a signed piece by highly respected award-winning Japanese master porcelain artist in the Imari-Arita style. In...

Exceptional Japanese contemporary decorative porcelain vase, intricately hand-painted in blue, turquoise and red with generous gold details, showcasing a Phoenix gracefully extending...

Extraordinary contemporary Japanese decorative porcelain vase, intricately hand painted in the artist's unique miniature technique on a elegantly shaped porcelain body in green, blue...

Extraordinary museum quality contemporary Japanese decorative porcelain vase, extremely intricately gilded and hand-painted in stunning shades of red and green on a stunningly shaped...

Very large rotund-shaped porcelain vase with horizontal ribs and a covering underglaze design of overlapping swirls with a canvas pattern on a white ground. Heightened by gold lustre...

Graceful hand decorated Japanese vase with traditional motifs and gold rimmed top., c. 1960's. Signed on bottom, Gold Imari.

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.   

Beautiful Japanese Moriage vase, late 19th century-early 20th century. Free shipping within the United States and Canada.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...