Pair Antique Indian Sindh Multan Islamic Caligraphy Pottery Moon Flasks 1850

A good pair of antique early 19th century Ottoman Islamic Iznik/Kutahya pottery bottle vases, Turkey, circa 1820. The vases of bottle form with a flare...

A good antique Persian Islamic Qajar period tile, circa 1850. These tiles were mainly produced in Tehran, the Qajar capital, continuous friezes of rectangular underglaze-painted tile...

Incredibly rare/unique & monumental antique Mamluk/Nasrid Islamic pottery copper lustre candlestick, circa 1870. This incredible pottery candlestick follows the the form of a 14th C...

A good antique Islamic Ottoman Kutahya pottery rosewater dropper, Turkey, circa 1900. The rosewater dropper of globular form with a tall tapering neck...

A good antique Chinese flambe-glazed Qing dynasty Hu shaped porcelain vase, circa 1850. The Hu shaped vase having a reddy aubergine colored flambe-glazed body, the rim and foot havin...

Monumental pair of antique Chinese late Qing to early Republican period Famille Rose Porcelain vases. The vases of baluster form with appli...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

A fine antique Japanese Sumidagawa pottery moon flask vase. Decorated to both sides. One side has a man playing a shinobue flute and a child dan...

Chinese famille rose double moon flask shaped delicate ceramic vase with painted dragon and floral motif, Qianlong, early 20th century. In remarkable antiqu...

A collection of two small pottery bowls with polychrome central figurative decorations, matching size and similar conical form. These bowls are identified as Nishapur ware circa 10th century (in nowadays Iran). They were stoneware (possibly buffware) and covered with opaque white glaze. Both were lovely decorated with a central human figure within an outer border. One is predominantly yellow, an imitation of luster ware...

A deep and wide earthenware bowl supported on a foot ring decorated with slip paint from Nishapur 11th century under the Seljuk Empire (in nowadays Iran). This bowl features a thinly...

PHDS Wikramaratna (PH) was born in Ceylon in 1916 and moved to London in 1937 where he gained a first class honours degree in Engineering. He returned to Ceylon at the outbreak of war and settled back in the UK following the war. PH gradually built up an extensive collection of Middle and Far Eastern ceramics becoming a member of the Oriental Ceramics Society in London. Several of his pieces were loaned for lectures and display and with his extensive knowledge and resource chose his pieces carefully. Over the years PH gifted many examples to museums, including The British Museum, Victoria & Albert, Ashmolean and Fitzwilliam. PH died in 2010 and our client was fortunate enough to acquire a substantial part of his collection. A fine Islamic earthenware jug of squat rounded form standing on a narrow rounded foot and potted in a light red clay decorated in green turquoise glazes with black painted floral...