Pair Hand Blown Loetz Art Nouveau Vases w/ Turquoise and Green Iridescence

This shapely and beautifully decorated, hand blown vase is hand painted in the Art Nouveau style and favourite subject-Poppies! The all-over transparent enamel painting depicts layer...

This lovely hand blown Venetian green footed vase with optic ribbed decoration can be used as both a vase or centerpiece. It is decorated with gold l...

What an incredible work of art! The hand blown apple green crystal vase is completely hand painted with polychrome enamels surrounding the entire body. The subject is detailed and ex...

This beautifully matched pair of 19th c vases are cased in white crystal and cut to clear in an all-over pattern decorating the vases from the petal rims to the raised foot. Completi...

This example of an "Aquarium Vase" was made by Alfredo Barbini and it exemplifies his great talent and workmanship. A wonderful melding of colors and fis...

A lovely pair of signed Val Saint Lambert handblown amethyst crystal vases overlaid with a gilded bronze-patina; the body is decorated with a high relief depicting Irises decorated in a pure Art Nouveau...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Turn-of-the-century Art Nouveau glass vase by historic maker Loetz with engraved silver overlay. Cylindrical with bellied top and bottom, and short inset neck. Overlay in form of ope...

A fine quality Art Nouveau art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring engraved Alvin Sterling Silver overlay. Overlay in form of op...

Gorgeous Titania glass vase by historic maker Loetz with engraved silver overlay, ca 1900. Upward tapering sides with gently flared mouth. Sides concave and corners chamfered. Overla...

Loetz Iridescent and oil spot Flared Neck Art glass Floriform Goose neck vase. Candia Papillon vase Austria Iridescent glass Unsigned Circa 1898 A...

This Loetz vase in the Cobalt Papillon pattern has blue iridescent Papillon design covering the exterior of the vase. Vase is signed on the polished ...