An unusual late 17th early 18th century Delft jug

A Rare and Important 17th Century Miniature Japanese Lacquer Cabinet, 19 cm H, 17cm W, 16.5cm D. The exquisitely decorated cabinet depicts fine floral raised scenes to each side. l...

A superb and exceptionally well proportioned early 18th century figured walnut ‘pagoda topped’ double dome bureau bookcase, circa 1720 England. The upper section is surmounted with what is believed to be the original solid walnut finials and soft bevelled mirror plates, opening to a removal bank of walnut veneered and feather banded drawers, cantered by pigeonholes below two shelves. Candle slides are neatly stowed below the bookcase doors to reflect the light. To the moulded bureau, the fall opens to reveal pigeonholes, long and short asymmetric drawers each beautifully veneered in figured walnut and feather banded, cantered by a cupboard door which neatly conceals an open compartment and drawer. Below the fall, two short and two long graduating oak lined drawers are each book-matched in superb sections of hand-cut figured walnut veneers over bun feet. It should be noted that this exceptional desk and bookcase, is not only of the finest cuts of figured walnut veneer but exquisitely made at the pinnacle of design which had gradually evolved predominantly in London, during the late 17thand early 18thcentury. The actual description 'desk-and-bookcase' appears to be first recorded in the accounts of the Royal cabinet-maker Gerrit Jensen (fl.1680-d.1715) who supplied several for the Royal Household from 1710 (Bowett, op. cit.), and another described as 'a walnut writing desk, the top for books and patons and glass in the doors asked' for the 5th Earl of Salisbury, Hatfield House.  Another maker of this form of desk was the London cabinet-maker John Gumley (1691-1727) who advertised in Richard Steele's Lover on April 24 1714 that he 'hath taken for a Ware-house, and furnished all the upper part of the New Exchange in the Strand' continuing with an extensive list of his stock including 'Desks and Bookcases.' In 1714 he supplied one of these in walnut to James 1st Duke of Montrose for the sum of £11. Russian cabinetwork of this period was strongly influenced by Tsar Peter I return to Russia after his studies in London. He subsequently sent twenty-four cabinetmakers who were working in Amsterdam to London to train as furniture makers. One of these cabinetmakers named Fedor Martynov made furniture for the Empress Anna Ioannovna. Martynovs drawings are almost identical to the present piece. Literature Mallett’s Great English Furniture, London: Bullfinch Press 1991, p.248, fig 287, by Lanto Synge, English Furniture 1660-1714 From Charles II to Queen Anne, by Dr Adam Bowett, Woodbridge: Antique Collector’s Club, 2002 Chapter 7 Case Furniture 1689–1714 pp.221-223 fig. 7:53 A walnut bureau bookcase of the same form and period sold from the private collection of Patricia Kluge...

A fabulous and rare pair of George III cherry wood chairs in original 'Country House' Condition, Circa 1760-1770. The carved cresting rail is decorated with soft sweeping carved ...

A superb and original carved Wainscot armchair, circa 1660. Yorkshire This superb Wainscot chair dates from the middle of the 17th century and is most likely from the Leeds area of ...

A Unique Early 18th Century Diminutive George I Figured Walnut Bachelors Table, Circa 1720-1730 The table is of very rare diminutive proportions raised...

A fine and rare early 18th-century compact George I figured walnut bachelors chest The quarter veneered feather and crossbanded top opens on original hinges to reveal a veneered int...

A fine, diminutive, and early Dutch Delft pottery vase or jar marked for Gerrit Kam. With a stylized Chinese peony flower pattern. Bearing an underglaze blue GK monogram to the bas...

Large and important pair of vases from the Savona factory. Both vases have side handles ending in dragons. The reserves on the side are decorated with figurative scenes and architect...

A blue and white Dutch delft vase made circa 1700, with clobbered-style polychrome enamels added in the mid-18th century. This brightly colored blue and white Dutch delft vase is a ...

Three late 18th century polychrome glazed Delft pottery vases, two of baluster form, one of trumpet form, each with a central cartouche depicting a lands...

An early delft bottle with blue decoration depicting a castle with floral designs, circa 1690, Netherlands.

Italian Polychrome Majolica Albarello, Late 17th Century.