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Hermes Porcelain Les Jardins d'Armenie Ashtray or Vide-Poche Catchall

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  • A large blue ashtray by Rörstrand, Sweden, 1950s. Designed by Gunnar Nylund
    By Gunnar Nylund, Rörstrand
    Located in London, GB
    A large ashtray shell like in it’s design, and produced by Rörstrand, Sweden, 1950s. Designed by Gunnar Nylund, (Swedish, 1914-1997). Signed by this highly collectible designer. In g...
    Category

    Vintage 1950s Swedish Scandinavian Modern Ashtrays

    Materials

    Ceramic

  • Scandinavian modern large ceramic ashtray by Gunnar Nylund for Rörstrand 1950’s
    By Gunnar Nylund, Rörstrand
    Located in London, GB
    A large ashtray table produced by Rörstrand, Sweden, 1950s. Designed by Gunnar Nylund, (Swedish, 1914-1997). Signed by this highly collectible designer. In good condition, with no cr...
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    Vintage 1950s Swedish Scandinavian Modern Ashtrays

    Materials

    Ceramic

  • Wooden Turned Treen Pot, Container or Vide Pouche, England Late 20th Century
    Located in London, GB
    A skilfully crafted piece of turned treen with an interesting silhouette. The piece opens into two sections leaving an interior space to prize, hide or store a treasure or two. There...
    Category

    1990s English Folk Art Decorative Boxes

    Materials

    Wood

  • Mid-Century Modern Brutalist Ceramic Vase by Bernard Rooke
    By Bernard Rooke
    Located in London, GB
    An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...
    Category

    Vintage 1960s English Brutalist Vases

    Materials

    Clay

  • Rustic Elm Wooden Large Mortar Bowl Hand Carved from One Piece of Tree Trunk
    Located in London, GB
    A very characterful late 19th century hand carved large wooden Chinese Elm mortar or bowl used for pounding grain. Oversized and wonderful, decorative piece that would look incredibl...
    Category

    Antique Late 19th Century Chinese Rustic Planters, Cachepots and Jardini...

    Materials

    Elm

  • Rustic Elm Wooden Large Mortar Bowl Hand Carved from One Piece of Tree Trunk
    Located in London, GB
    A very characterful late 19th century hand carved large wooden Chinese Elm mortar or grain bowl. Oversized and wonderful, decorative piece that would look incredible juxtaposed on a ...
    Category

    Antique Late 19th Century Chinese Rustic Planters, Cachepots and Jardini...

    Materials

    Elm

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  • French White Porcelain Jewelry Tray Catchall Vide-Poche or Ashtray
    By Hermès
    Located in New York, NY
    A French white porcelain tray vide-poche (catch-all) or ashtray, circa mid to late-20th century, France. A great standalone piece or tray to hold ...
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    Mid-20th Century French Decorative Dishes and Vide-Poche

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  • Italian White and Gold Catchall Vide-Poche or Ashtray
    Located in New York, NY
    An Italian octagonal white and gold ceramic catchall vide-poche or ashtray, circa late-20th century, Italy. Great as a vide-poche catchall (shown holding jewelry), and as an ashtray with four support indents. Piece appears to have never been used. Octagonal in shape with a chevron-like design, and glossy/shiny white and gold finish. Marked 'Italy' on underside as shown in last image. Dimensions: 7.44" x 7.44". Green paperweight...
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  • Italian Marble Catchall Vide-Poche or Ashtray, Italy 1970s
    Located in New York, NY
    A very beautiful and substantial Italian 70s Modern/Post-Modern black and white marble ashtray or vide-poche catchall, circa 20th centur...
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    Vintage 1970s Italian Post-Modern Decorative Dishes and Vide-Poche

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  • Italian Tommaso Barbi Catchall Vide-Poche or Ashtray, Italy 1970s
    By Tommaso Barbi
    Located in New York, NY
    A beautiful Italian brass and green ceramic vide-poche catchall, by Italian designer Tommaso Barbi, '70s Modern period, Italy. Piece is by Italian designer Tommaso Barbi in a green g...
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    Vintage 1970s Italian Modern Decorative Dishes and Vide-Poche

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  • 1970s Rare Porcelain Ashtray or Vide Poche by Piero Fornasetti
    By Piero Fornasetti
    Located in Milano, IT
    1970s Rare Porcelain Ashtray/Vide Poche by Piero Fornasetti for Winston accessories. Signed at the bottom. The item is in very good condition. Dimensions: W 7,28 in. x D 7,28 in. x...
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    Vintage 1970s Mid-Century Modern Ashtrays

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  • 1970s Rare Porcelain Ashtray or Vide Poche by Piero Fornasetti
    By Piero Fornasetti
    Located in Milano, IT
    1970s Rare Porcelain Ashtray/Vide Poche by Piero Fornasetti for Winston accessories. Signed at the bottom. The item is in very good condition. Dimensions: W 7,28 in. x D 7,28 in. x...
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