Amber Homage by Baldwin and Guggisberg

'Calibrated to Balance' is a unique red, green, yellow, teal and amber hand-blown and cut glass hanging artwork with steel frame by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Exquisitely handblown and cut to the highest quality and refinement, the elements have been composed and suspended on a steel frame ready for wall hanging. Increasingly the artists have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, primarily through blown glass, but also using steel, and constructions in other materials. Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'Catcher of the Skies' is a unique pink, orange and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'The Cobalt Voyager' is a unique intense electric blue and black hand-blown and cut glass artwork with steel hull by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centerpieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. 'We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time's inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

'Nail Varnish' is an oversized sculptural version of its functional counterpart by the Swedish artist Asa Jungnelius for Kosta Boda. Monumental in scale, this hand-blown artwork in b...

'Echinus in Aurora Gelblich' is a unique sculpture and centrepiece by the British artist Katherine Huskie. The free-blown central round glass form is covered in trails of glass that ...

'Cristal Diffusion in Amber' is a unique glass sculptural vessel by the Danish artist, Hanne Enemark. The glass body has been hand-blown and painstakingly covered with cast and cut g...

Monumental Italian Modernist Murano glass centerpiece vase. Extra Large ( 23, 2 in ) pink amber pulled glass centerpiece attributed to Archimede Seguso. Italy, 1950s. Beautifully sha...

Made in Murano glass in 1970s. It might show slight traces of use since it's vintage, but it can be considered as in excellent original condition and ready to become a piece in a hom...

Black and white Murano tall vase by Venini in blown Murano glass, signed, circa 1960s Blown and jacketed glass. Attributable Tomaso Buzzi vases line ...

Barbara nanning (b.1957), “Colorful Shadows”, 2016. Glass, blown, hand-formed.

Vintage French vase by André DELATTE (1887-1953) in amber/orange glass, on hexagonal foot. Signature engraved on the base.

Made in Italy, 1960s - 1970s. It's made in blown glass by Seguso, Murano, Italy; a blown mark is visible in the center of the plate. It may show slight traces of use since it's vinta...