A Set of Dishes: Early 19th Century Sewell Creamware Pottery Dinner Service

Made in 1904, the border design on this set of Wedgwood dinner dishes was inspired by designs in Josiah Wedgwood's mid-18th century First Pattern Book. The red berries and beige leaves on the vine combine perfectly with the creamy color of the creamware plate. The result is a subtle beauty. The underside of the dishes has an impressed mark for Wedgwood and "W G" for August 1904. Dimensions: diameter 9.25" x .75" height Condition: Excellent Price: $1120 Background of Early 20th Century Wedgwood: In the late 19th century, Wedgwood designs were mostly influenced by the Aesthetic and Arts and Crafts movements. In 1904 Wedgwood promoted John Goodwin...

Made in England in the early 19th century, circa 1815, these Wedgwood dessert or salad dishes are a beautiful and sophisticated set. The combination o...

This excellent set of eleven Mason's Ironstone plates is decorated in rich rust color with overall black detailing resembling sharkskin. The set dates to circa 1900. The color is fab...

This lovely set of hand painted 18th-century Imperial Vienna Porcelain dishes features four dinner dishes, four soup/pasta dishes, and a pair of chargers for serving. The decoration ...

These lovely dishes were made in England around 1815. They have hand-painted pink roses on bright white Derby porcelain, complemented by green and turquoise leaves. During the late 1...

We are pleased to offer this pair of antique Blue and White Dutch Delft dishes painted in the center with a garden scene featuring a bird atop a dark blue scholar's rock. Around the ...

A fine pair of 19th century English Spongeware pottery plates. Both plates with green & blue painted decoration that appears to have been dabbed or spread with a sponge, hence the name spongeware. One of the plates has some overpaint and is more brightly decorated than its mate. Simply a great pair of 19th century Staffordshire spongeware plates...

Spode Pottery neo-Classical Greek Pattern blue set of dinner plates-33 plates Zeus in His Chariot, Early-19th Century The Spode pottery undergla...

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

Creamware knife rests, Italian, Circa 1810-1820    The two rests are of similar form with a raised scroll terminal to each end. One with pierced stylized f...

A lovely pair of antique French asparagus plates by Keller & Guerin Luneville, circa 1890. Maker's mark on reverse. These beautiful plates have...

The Neale & Co. puce-colored shell-edge plates are each decorated in a purple transfer with figures in the foreground amongst a landscape of Classic ruins. The rims, also with a feathered puce (purple) border, are highlighted with unusually strong remnants of the original gilding. Each is impressed with the Neale & Co. mark on the reverse. Marks: The impressed Neale & Co. mark was only used between 1778 and 1795. Reference: Neale Pottery & Porcelain: Its Predecessors and Successors 1763-1820, Diana Edwards, page 126, #100 for a large stand...