Dated Crowther Plate, Bow Porcelain Factory, 1770

A fine octagonal plate painted in the botanical style; possibly the yellow gloriosa climbing lily. Provenance: Taylor Collection; Robyn Robb 2003. Filled edge chips.  

Plate, circa 1755-1760: Octagonal plate, the decoration after an oriental original (possibly from the region now modern Bhutan), with four robed ladies walking through a stylized lan...

Plate, circa 1758-1760: Small octagonal plate, the well printed in blue underglaze with La Dame Chinoise (also called the Promenade Chinoise) showing a tall oriental lady with tw...

Circular plate, the well outlined and transfer printed in black/brown outline and filled-in with 'wet' enamels all with Chinese figures in a garden and a child playing with an excite...

Of silver shape with lobed and gilt dentil edge; the well with a landscape of exotic birds enameled in a brilliant palette all on a festoon of dense green-black foliage, the rim with insects and exotic butterflies. The bird painter...

Each of shallow circular form with scalloped rim and painted in the Kakiemon two Quail pattern with a pair of partridges standing between a flowering prunus and a kikyo bush amidst f...

Bow porcelain Chinoiserie tankard, Bow, London, 1760-1765. The unusually painted polychrome Bow porcelain tankard depicts Chinoiserie figure...

QUITE RARE PICTURE PLATE OF VIENNESE IMPERIAL PORCELAIN MANUFACTORY: Stunning quality / edged areas are decorated with so-said Grotesque (Italian: GROTTESCHI) pattern. - Material is PORCELAIN (multicoloured painted). DATED 1816 (year's mark at reverse side visible: '816) Blue Beehive Mark (underglazed) of Austrian Imperial Porcelain...

This is a rare and beautiful figure of Venus with two doves, made by the bow porcelain factory between 1756 and 1764. We see Venus standing holding her robe with one hand, a flower p...

This is a very charming orphaned coffee cup made by the Bow Porcelain factory in about 1755. The cup is decorated in a Chinese "famille rose" peony pattern. This cup would have been part of a large tea service, and the tiny size shows how expensive coffee was in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. The cup is unmarked, which is normal for Bow items of this era. Condition report the cup is in excellent condition without any damage or repairs. There are various glazing imperfections, which are quite normal for porcelain of this era. Antique British porcelain...

Heading : Bow porcelain octagnoal, fan panelled, underglaze powder blue, landscape pattern dish Date : c1760 Period : George III Marks :Faux Chinese marks Origin : New Canton - then...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...