H&R Daniel Plate, White, Floral, Etruscan Shape, Regency, circa 1825

This is a rare and beautiful teacup trio made by H&R Daniel in about 1825. The set is potted in the "Etruscan" shape and is decorated in a white ground with a beautiful floral pattern and gilt anthemion sprigs. The trio consists of a teacup, a coffee cup and a saucer. In the 19th Century that's how cups and saucers were sold; as you would never drink tea and coffee at the same time, why invest in an extra saucer? We have a matching cake plate as well, please see separate listing. The H & R Daniel porcelain factory was founded by Henry Daniel, son of a family of master colour makers. He headed up the decoration department in the famous Spode factory where he oversaw all the beautiful early Spode decorations. In 1822 he opened his own factory with his son Richard, creating a truly iconic body of work with the most subtle colours and beautifully painted flowers and landscapes. The Daniel factory was the last true cottage industry among the English porcelain factories, resisting the increase of industrialisation and mass production. This resulted in extraordinary and unrivalled quality, but it probably also led to the factory having to close its doors in 1846 because it could no longer compete with others who did modernise. Daniel porcelain can be hard to identify as the factory was only around for about two decades, but this short duration and the low output also means that Daniel items have become true collectors' items. This set is potted in the "Etruscan" shape, a neoclassical shape with a strikingly angular handle and a graceful classical shape. The set is unmarked except the faded pattern number 3863 on the coffee cup, which points to a date of 1825. A picture of this pattern can be seen on plate 34 of Michael Berthoud and Lybne Price's "Daniel Patterns on Porcelain". CONDITION REPORT The set is in perfect antique condition except some very light rubbing as visible in the pictures. Antique British porcelain...

This is a stunning dessert service made by H&R Daniel in 1824. The set consists of a large centre piece comport, two sauce comports (without covers), four large rectangular dishes, f...

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This is a spectacular and very rare set of ten dessert plates made by Derby in about 1825, which was the Regency era. The plates are richly gilded, each with an individual gilt pattern, and have superb fruit paintings, also each unique, by the famous porcelain decorator Thomas Steel. One can occasionally find one of these plates in the market, but to find a whole set of 10 in such fabulous condition is extremely rare. The Derby factory, later reshaped into Royal Crown Derby, is currently the oldest British porcelain factory still in production. Derby was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today. Their items are of exceptionally high quality and many of the designs have become iconic, particularly the Imari designs; many of these are still being made today. Derby made many exciting designs in the Regency era, and these plates are beautiful examples. The marking at the bottom indicates that the plates were produced some time between 1806 and 1825, when the company was called "Bloor Derby"; however the style is from between 1820 and 1825. Thomas Steel (sometimes written as Steele) is considered the very best 19th Century porcelain painter of fruits. He was born in Staffordshire in 1772 and was first apprenticed by Wedgwood. He moved to Derby in 1815, where he became the foremost flower and fruit painter. In 1825 he moved on to the Rockingham factory in Yorkshire, and a few years later to Minton in Staffordshire, where he worked the rest of his life. Steel had a very recognisable style of fruit painting, perhaps best described by the biographer John Haslem: "Steele painted both flowers and insects well, but as a painter of fruit on china he had no superior, if, indeed, he had any equal in his day... His grouping is harmonious, the light and shade well managed, each piece of fruit is well rounded, and the outline softened and blended into the one next to it, each partaking of the reflected colour from the other." These plates each have a different richly gilded border, and octagonal paintings...

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