Knife and Fork, Kakiemon Decoration, Bow Porcelain Factory, circa 1749

Low tea cup with clip handle with matching saucer, decorated after the Kakiemon with the two quail pattern. An unusual form with scarce decoration. Prov...

Of full-bellied pear-shape with large sparrow-beak lip set slightly below the top rim of the body in front of a triangle of circular pouring holes and at the right angle to the strap...

Pint mug of baluster form with flared base and grooved strap-handle with heart-shaped termination. The face of the mug painted after the Kakiemon with the two Quail pattern. The reve...

Oval tureen and cover, decorated after the Kakiemon in the two quail pattern; the crabstock handles and masks are interesting features. The tureen has had a rather unhappy life, appa...

An early example of bow’s output, with a smooth, silky glaze. Painted after the Kakiemon with a phoenix, butterfly and various plants after the Japanese; with reserved panels featuri...

Each of shallow circular form with scalloped rim and painted in the Kakiemon two Quail pattern with a pair of partridges standing between a flowering prunus and a kikyo bush amidst f...

This is a very charming orphaned coffee cup made by the Bow Porcelain factory in about 1755. The cup is decorated in a Chinese "famille rose" peony pattern. This cup would have been part of a large tea service, and the tiny size shows how expensive coffee was in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. The cup is unmarked, which is normal for Bow items of this era. Condition report the cup is in excellent condition without any damage or repairs. There are various glazing imperfections, which are quite normal for porcelain of this era. Antique British porcelain...

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, 1662-1722. The plate is finely potted with a carefully cut base rim and a lovely rich...

This is a very rare and impressive complete set of large figures called The Four Elements, made by the Bow Porcelain factory in about 1765. It consists of Ceres representing Earth, V...

This is a wonderful little figure of a boy or putto made by the Bow Porcelain factory in about 1760. The Bow Porcelain Factory was one of the first potteries in Britain to make soft...

Bow porcelain Chinoiserie tankard, Bow, London, 1760-1765. The unusually painted polychrome Bow porcelain tankard depicts Chinoiserie figure...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...