Three Early 19 Century Coalport, Worcestor and Paris Porcelain Plates

A Paris porcelain urn with swan’s head handles; beautifully painted frolicking cupids to the front, and matte and burnished framed musical motifs to the back. Some rubbing consistent...

A Paris porcelain ewer; (finial repaired) and matching basin, having brightly painted flowers to both; some rubbing to the ewer.  

A French Empire period porcelain vase. The vase is totally gilt with matte and burnished highlights. The twin handles each show a modeled classical female head and on the front of the vase is a painted classical scene. The scene depicts a Roman/Greek seated young warrior...

A set of three late Victorian Aynsley bone china wall plates with a light green border centered with hand painted images of Arundel Castle in England...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...

A beautiful French and Asian collaboration of a 19thC pair of Napoleon III Famille Rose porcelain, (from Canton China), and gilt bronze and brass oil lamps that miraculously include ...

Pair of large Coalport Porcelain plates with gilt rim and accents, floral decoration in blues, reds, and greens. 19th century England. Price i...

A fine English Neoclassical porcelain plate. By Coalport. Decorated throughout with alternating red and blue geometric patterns, gil...

A fine antique neoclassical porcelain serving tray. By Coalport. Painted en grisaille with classical medallions reserved against a gilt-vermicule ground. The border having a sa...

Six Regency side plates by Coalport with hand painted panels of fruit, circa 1805. Cobalt borders support a gilded band of interlocking scrolls and finials with a gold dentil border....

Five Regency side plates by Coalport with hand painted panels of flowers, circa 1805. Cobalt borders support a gilded band of interlocking scrolls and finials with a gold dentil bord...

This is a beautiful plate made by Coalport around the year 1820. The plate is decorated in white with a simple gilt rim, darting puce and gilt vines, and a wonderful hand painted bou...