Liverpool Herculaneum Yellow-Banded Openwork Creamware Dessert Dishes

Neoclassical Greek pattern blue printed large dish, Herculaneum, Liverpool, Early 19th century The Herculaneum pottery underglaze blue central pattern shows a series of images e...

Creamware English pottery pair of botanical 18th-century dishes, Neale Pottery. The oval dishes are a rich creamy color painted in the interior with a rose stem with an open rose...

Set of Seven Continental Creamware Openwork Dessert Plates The basketweave creamware plates have an openwork reeded border with a gilt rim. The basketweave becomes tighter as it r...

Creamware knife rests, Italian, Circa 1810-1820    The two rests are of similar form with a raised scroll terminal to each end. One with pierced stylized f...

Salt-glazed stoneware sweetmeat dishes in the form of vine leaves, a pair, circa 1745-1765   The Staffordshire salt glaze stoneware...

"Peace, Plenty and Independence" Liverpool Transfer Decorated Creamware Jug, Circa 1800 The "Peace, Plenty and Independence" Liverpool transfer decorated creamware jug has a black transfer print on one side depicting a spread wing eagle perched atop a cannon flanked by symbols of Peace and Plenty with the other side with the "Farmer's Arms," the front with "Samuel & Rachel Hayne.s" within a wreath above four lines of verse, inspired by Cupid's Lessons, reading, "My love is Fix'd, I cannot range,I like my choice,Too well to change". a second stanza not shown read " Long may we live, Happy may we be, Blest with content, And from misfortune be". Dimensions: 10 1/8 inch height x 9 inches wide x 6 1/4 inches deep. The print of an eagle with its wings spread standing on a cannon above a medallion containing the words, “PEACE, PLENTY, and INDEPENDENCE.” This is flanked by two allegorical figures. The figure on the left represents “plenty” holding a cornucopia, while the one on the right represents “peace” using her torch to set fire to instruments of war. The New York Historical...

Made in England in the early 19th century, circa 1815, these Wedgwood dessert or salad dishes are a beautiful and sophisticated set. The combination o...

Made in 1904, the border design on this set of Wedgwood dinner dishes was inspired by designs in Josiah Wedgwood's mid-18th century First Pattern Book. The red berries and beige leaves on the vine combine perfectly with the creamy color of the creamware plate. The result is a subtle beauty. The underside of the dishes has an impressed mark for Wedgwood and "W G" for August 1904. Dimensions: diameter 9.25" x .75" height Condition: Excellent Price: $1120 Background of Early 20th Century Wedgwood: In the late 19th century, Wedgwood designs were mostly influenced by the Aesthetic and Arts and Crafts movements. In 1904 Wedgwood promoted John Goodwin...

A French pottery steamer from the 19th century, with lid and rust accents. Created in France during the 19th century, this pottery steamer features a circular yellow glazed body ador...

Six Wedgwood majolica Argenta palette ‘Lincoln' pattern dessert plates with finely molded maroon prunus blossoms and dark taupe pine branches surrounded by a yellow Greek key border. The dishes are decorated in the japonisme style and feature the “Three Friends of Winter” motif, an Asian artistic convention showing the pine, plum, and bamboo together to represent steadfastness, perseverance, and resilience. The Wedgwood factory introduced muted Argenta glazes to its majolicas in the 1880s to keep up with ever-changing fashions. The Argenta glaze color palette was more subdued than that of traditionally vibrant majolica, and was thus more appealing to the Aesthetic Movement japonisme style that pervaded the market. These Argenta majolica dessert dishes...

Great collection of antique Spanish handmade and forged copper cook pans - pots from the 1800s. The perfect accessory for your Country Colonial Kitchen. Th...

An antique mug by Owens offers art pottery construction with hand painted floral decoration and standard glaze, c1890 Measures- 5''H x 4.75''W x 3.5''D C...